{"id":11351,"date":"2022-10-19T15:29:41","date_gmt":"2022-10-19T13:29:41","guid":{"rendered":"http:\/\/stage.annamariamartinolli.it\/2022\/10\/gli-spettri-di-ibsen-ossessionano-ancora\/"},"modified":"2022-10-19T15:49:25","modified_gmt":"2022-10-19T13:49:25","slug":"gli-spettri-di-ibsen-ossessionano-ancora","status":"publish","type":"post","link":"https:\/\/stage.annamariamartinolli.it\/fr\/2022\/10\/gli-spettri-di-ibsen-ossessionano-ancora\/","title":{"rendered":"Gli Spettri di Ibsen ossessionano ancora"},"content":{"rendered":"\n<style type=\"text\/css\" data-created_by=\"avia_inline_auto\" id=\"style-css-av-dnffk-e17793e72b7f6f6f3745ba77d29bbce4\">\n.avia-section.av-dnffk-e17793e72b7f6f6f3745ba77d29bbce4 .av-parallax .av-parallax-inner{\nbackground-repeat:no-repeat;\nbackground-image:url(https:\/\/stage.annamariamartinolli.it\/wp-content\/uploads\/2022\/10\/ghosts.jpg);\nbackground-position:50% 50%;\nbackground-attachment:scroll;\n}\n.avia-section.av-dnffk-e17793e72b7f6f6f3745ba77d29bbce4 .av-section-color-overlay{\nopacity:0.2;\nbackground-color:#000000;\n}\n<\/style>\n<div id='av_section_1'  class='avia-section av-dnffk-e17793e72b7f6f6f3745ba77d29bbce4 main_color avia-section-large avia-no-shadow  avia-builder-el-0  el_before_av_section  avia-builder-el-first  avia-full-stretch av-parallax-section avia-bg-style-parallax av-section-color-overlay-active container_wrap sidebar_right'  data-section-bg-repeat='stretch'><div class='av-parallax' data-avia-parallax-ratio='0.3' ><div class='av-parallax-inner main_color avia-full-stretch'><\/div><\/div><div class=\"av-section-color-overlay-wrap\"><div class=\"av-section-color-overlay\"><\/div><div class='container av-section-cont-open' ><main  role=\"main\" itemprop=\"mainContentOfPage\"  class='template-page content  av-content-small alpha units'><div class='post-entry post-entry-type-page post-entry-11351'><div class='entry-content-wrapper clearfix'>\n\n<style type=\"text\/css\" data-created_by=\"avia_inline_auto\" id=\"style-css-av-khyxtyw7-bd67dfde2693d62c455222a8abc9d1f6\">\n#top .av-special-heading.av-khyxtyw7-bd67dfde2693d62c455222a8abc9d1f6{\npadding-bottom:0;\ncolor:#ffffff;\nfont-size:50px;\n}\nbody .av-special-heading.av-khyxtyw7-bd67dfde2693d62c455222a8abc9d1f6 .av-special-heading-tag .heading-char{\nfont-size:25px;\n}\n#top #wrap_all .av-special-heading.av-khyxtyw7-bd67dfde2693d62c455222a8abc9d1f6 .av-special-heading-tag{\nfont-size:50px;\n}\n.av-special-heading.av-khyxtyw7-bd67dfde2693d62c455222a8abc9d1f6 .special-heading-inner-border{\nborder-color:#ffffff;\n}\n.av-special-heading.av-khyxtyw7-bd67dfde2693d62c455222a8abc9d1f6 .av-subheading{\nfont-size:15px;\n}\n\n@media only screen and (min-width: 480px) and (max-width: 767px){ \n#top #wrap_all .av-special-heading.av-khyxtyw7-bd67dfde2693d62c455222a8abc9d1f6 .av-special-heading-tag{\nfont-size:0.8em;\n}\n}\n\n@media only screen and (max-width: 479px){ \n#top #wrap_all .av-special-heading.av-khyxtyw7-bd67dfde2693d62c455222a8abc9d1f6 .av-special-heading-tag{\nfont-size:0.8em;\n}\n}\n<\/style>\n<div  class='av-special-heading av-khyxtyw7-bd67dfde2693d62c455222a8abc9d1f6 av-special-heading-h3 custom-color-heading blockquote modern-quote modern-centered  avia-builder-el-1  el_before_av_hr  avia-builder-el-first  av-inherit-size'><h3 class='av-special-heading-tag '  itemprop=\"headline\"  >Gli Spettri di Ibsen ossessionano ancora<\/h3><div class='av_custom_color av-subheading av-subheading_below'><p>Traduzione a cura di Annamaria Martinolli<\/p>\n<\/div><div class=\"special-heading-border\"><div class=\"special-heading-inner-border\"><\/div><\/div><\/div>\n\n<style type=\"text\/css\" data-created_by=\"avia_inline_auto\" id=\"style-css-av-cfk40-cc0e863df5594b3b19655f10594825ef\">\n#top 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--><\/div><\/div><\/div><div id='av_section_2'  class='avia-section av-bszdo-a141737ec85fe804767dd2a8d0920264 main_color avia-section-small avia-no-border-styling  avia-builder-el-3  el_after_av_section  avia-builder-el-last  avia-bg-style-fixed container_wrap sidebar_right'  ><div class='container av-section-cont-open' ><div class='template-page content  av-content-small alpha units'><div class='post-entry post-entry-type-page post-entry-11351'><div class='entry-content-wrapper clearfix'>\n<div class='flex_column_table av-b5t1k-42c5a1681197e7ed799f0f723d3aafed sc-av_two_third av-equal-height-column-flextable'>\n<style type=\"text\/css\" data-created_by=\"avia_inline_auto\" id=\"style-css-av-b5t1k-42c5a1681197e7ed799f0f723d3aafed\">\n#top .flex_column_table.av-equal-height-column-flextable.av-b5t1k-42c5a1681197e7ed799f0f723d3aafed{\nmargin-top:-60px;\nmargin-bottom:-60px;\n}\n.flex_column.av-b5t1k-42c5a1681197e7ed799f0f723d3aafed{\nborder-radius:0px 0px 0px 0px;\npadding:30px 30px 30px 30px;\nbackground-color:#ffffff;\n}\n<\/style>\n<div  class='flex_column av-b5t1k-42c5a1681197e7ed799f0f723d3aafed av_two_third  avia-builder-el-4  el_before_av_one_third  avia-builder-el-first  first no_margin flex_column_table_cell av-equal-height-column av-align-top  '     ><p><section  class='av_textblock_section av-5y3zx1-26544e260383eb6418d130fe971e88d8 '   itemscope=\"itemscope\" itemtype=\"https:\/\/schema.org\/BlogPosting\" itemprop=\"blogPost\" ><div class='avia_textblock'  itemprop=\"text\" ><p>Il presente articolo \u00e8 tratto da <em><a href=\"https:\/\/www.sgn.org\/story.php?ch=arts__entertainment&amp;sc=theater___stage&amp;id=314320\" target=\"_blank\" rel=\"noopener noreferrer\">SGN: Seattle\u2019s LGBTQIA+, News &amp; Entertainment Weekly since 1974, Volume 50, Issue 20<\/a>.<\/em> L\u2019autore \u00e8 Nick Rapp. La traduzione \u00e8 a cura di <a href=\"https:\/\/www.fucinemute.it\/author\/annamaria-martinolli\" target=\"_blank\" rel=\"noopener noreferrer\">Annamaria Martinolli<\/a>.<\/p>\n<p><a href=\"https:\/\/www.fucinemute.it\/wp-content\/uploads\/2022\/05\/mar-05-1.jpg\"><img decoding=\"async\" class=\"alignleft wp-image-23619 size-medium\" title=\"Spettri - Ibsen\" src=\"https:\/\/www.fucinemute.it\/wp-content\/uploads\/2022\/05\/mar-05-1-185x278.jpg\" alt=\"Spettri - Ibsen\" width=\"185\" height=\"278\" \/><\/a>Nel dicembre del 1881, un drammaturgo norvegese di nome Henrik Ibsen pubblic\u00f2 un\u2019opera che scandalizz\u00f2 talmente la suscettibilit\u00e0 inglese da indurre il <em>Daily Telegraph<\/em> a definirla \u201cuna carogna letteraria\u201d e \u201cuna fogna a cielo aperto: una disgustosa piaga non medicata\u201d. L\u2019opera in questione, <em>Spettri<\/em>, \u00e8 sopravvissuta alle bizzarre critiche e oggi \u00e8 venerata come un capolavoro drammaturgico.<\/p>\n<p>La regista Carey Perloff \u2013 reduce da venticinque anni di mandato come direttore artistico dell\u2019American Conservatory Theater di San Francisco \u2013 ha portato finalmente <em>Spettri<\/em> al Seattle Rep dal 1 aprile al 1 maggio, dopo gli spiacevoli e prolungati ritardi dovuti alla pandemia COVID-19.<\/p>\n<p><strong>Un\u2019opera teatrale tempestiva risalente al XIX secolo<br \/>\n<\/strong>La Perloff ammette di essere \u201cquasi ossessionata da quest\u2019opera da decenni\u201d. Sebbene sia stata scritta pi\u00f9 di un secolo fa, secondo lei l\u2019argomento \u00e8 ancora pi\u00f9 pertinente per il pubblico moderno. Lei stessa ha visto alcune versioni allestite negli anni Ottanta, quando \u201cveniva spesso analizzata attraverso la metafora dell\u2019AIDS; un modo molto potente di guardare all\u2019opera\u201d.<\/p>\n<p>Per la regista la pi\u00e8ce riguarda \u201cil modo in cui i fantasmi che pensavamo fossero sepolti continuano a tornare a perseguitarci\u201d ed \u00e8 anche una riflessione su ci\u00f2 che ci viene trasmesso: \u201ccome ci relazioniamo con i nostri genitori e cosa pensiamo di aver ereditato o meno dalle nostre famiglie\u201d.<\/p>\n<p><em>Spettri<\/em> prende in esame le difficolt\u00e0 di una vedova, Helen Alving, che deve vedersela con l\u2019infedelt\u00e0 del marito defunto, e gli sforzi che compie per proteggere il figlio, Oswald, dalle verit\u00e0 del passato della loro famiglia. Il testo parla anche \u201cdi un giovane con una malattia ereditaria [la sifilide] trasmessagli dal padre. Ma l\u2019argomento non \u00e8 mai trattato alla lettera: \u00e8 piuttosto una lotta con la propria eredit\u00e0\u201d, dichiara Carey Perloff.<\/p>\n<p>\u201cUno degli aspetti che abbiamo approfondito con il personaggio di Oswald \u00e8 la questione della vergogna, e il fatto che uno degli eventi pi\u00f9 terribili accaduti durante la crisi dell\u2019AIDS sia stato proprio la vergogna provata dagli uomini per aver contratto questa malattia, quando la gente non sapeva veramente come questo avveniva. Oswald prova questi terribili sentimenti di vergogna per qualcosa che poi si scopre non essere affatto colpa sua\u201d, prosegue.<\/p>\n<p>Un altro aspetto dell\u2019opera che colpisce la regista in quanto particolarmente attinente all\u2019epoca attuale \u00e8 il modo in cui Ibsen si interroga sulla segretezza di fronte al potenziale disprezzo pubblico. \u201cUn\u2019altra cosa di cui si parla \u00e8 il pubblico ludibrio\u201d, spiega. \u201cPensiamo che sia stato Twitter a crearlo, ma in realt\u00e0 l\u2019opera parla di un pastore talmente terrorizzato dall\u2019idea di essere diffamato dalla stampa da fare scelte terribili nella sua vita proprio a causa di questa paura\u201d.<\/p>\n<p><a href=\"https:\/\/www.fucinemute.it\/wp-content\/uploads\/2022\/05\/mar-04-1.jpg\"><img decoding=\"async\" class=\"aligncenter wp-image-23618 size-large\" title=\"Spettri - Ibsen\" src=\"https:\/\/www.fucinemute.it\/wp-content\/uploads\/2022\/05\/mar-04-1-320x214.jpg\" alt=\"Spettri - Ibsen\" width=\"320\" height=\"214\" \/><\/a><\/p>\n<p>I quesiti etici del XIX secolo sul discorso civico presenti in <em>Spettri <\/em>possono essere facilmente visti come un precursore dei social media, dell\u2019umiliazione online e dei limiti alla libert\u00e0 di interpretazione del linguaggio negli spazi online oggi. L\u2019ansia causata dal chiedersi come gli altri reagirebbero alle verit\u00e0 personali non \u00e8 una novit\u00e0.<\/p>\n<p>L\u2019inquietante pertinenza di un vecchio dramma controverso in relazione al presente \u00e8 qualcosa di cui, secondo Carey Perloff, vale la pena parlare. \u201cStiamo vivendo un periodo curioso della nostra cultura teatrale\u201d, afferma. \u201cSiamo molto sospettosi nei confronti delle opere scritte in epoche passate, e pensiamo che non rappresentino davvero il modo in cui vediamo il mondo \u2013 ed \u00e8 vero, per molti versi non lo rappresentano, il mondo \u00e8 cambiato\u201d.<br \/>\n\u201cMa\u201d, ribatte, \u201ccredo che il canone classico ci apra davvero gli occhi sui conflitti del nostro tempo in un modo che noi stessi non riusciamo a vedere\u201d.<br \/>\nA rischio di sembrare banali, e accettando la cosa, la storia si ripete davvero. E interrogare le concezioni passate dell\u2019etica attraverso l\u2019arte pu\u00f2 conferire uno sguardo nuovo a situazioni che sembrano pi\u00f9 uniche di quanto non siano in realt\u00e0.<\/p>\n<p><strong>La produzione<br \/>\n<\/strong>Per quanto riguarda la produzione, la regista parla molto bene del cast, del team creativo e del processo di portare <em>Spettri<\/em> da San Francisco al pubblico di Seattle. Ha lavorato per anni con il traduttore Paul Walsh, uno studioso di Ibsen in grado di tradurre con facilit\u00e0 il norvegese in inglese locale per il pubblico moderno. Ha assistito il cast nella comprensione di ogni aspetto dell\u2019opera, rispondendo anche a domande inattese come \u201cCosa avrebbe indossato un pastore in quest\u2019epoca, in questo luogo?\u201d.<br \/>\nGli attori sono sia locali che ospiti. Albert Rubio, originario di Seattle, interpreta Oswald e, a parte in <em>Spettri<\/em>, lavora al Cornish College e a un progetto personale in cui sta traducendo le esperienze dei sopravvissuti all\u2019AIDS in opere soliste. L\u2019attrice Nikita Tewani interpreta Regina Engstrand e in passato ha lavorato con la regista in <em>Mille splendidi soli<\/em> al Rep.<br \/>\nTutti i membri del cast vantano un\u2019impressionante storia teatrale e sono entusiasti di essere riusciti a portare finalmente <em>Spettri<\/em> sul palcoscenico, dopo le audizioni su Zoom e i rinvii delle date originali del 2020.<br \/>\nCarey Perloff ha espresso una gioia sconfinata all\u2019idea di uno spettacolo dal vivo, e a ragione. Come ha molto sinteticamente spiegato: \u201cIl teatro \u00e8 fatto di corpi, corpi umani nello spazio. \u00c8 l\u00ec che le persone sono vulnerabili. Essere in grado di tornare a questo \u00e8 meraviglioso\u201d.<\/p>\n<p><a href=\"https:\/\/www.fucinemute.it\/wp-content\/uploads\/2022\/05\/mar-03-1.jpg\"><img decoding=\"async\" class=\"aligncenter wp-image-23617 size-large\" title=\"Spettri - Ibsen\" src=\"https:\/\/www.fucinemute.it\/wp-content\/uploads\/2022\/05\/mar-03-1-320x214.jpg\" alt=\"Spettri - Ibsen\" width=\"320\" height=\"214\" \/><\/a><\/p>\n<p><strong>L\u2019opera \u00e8 andata in scena con il seguente cast:<br \/>\n<\/strong>Helena Alving: <strong>Mary Elizabeth Mastrantonio<br \/>\n<\/strong>Oswald Alving: <strong>Albert Rubio III<br \/>\n<\/strong>Pastore Manders: <strong>David Strathairn<br \/>\n<\/strong>Falegname Jakob Engstrand: <strong>Thom Sesma<br \/>\n<\/strong>Regina Engstrand: <strong>Nikita Tewani<\/strong><\/p>\n<\/div><\/section><br \/>\n<div  class='togglecontainer av-kshhyfsg-4340bb9eab542ec48ddd24559c05c515 toggle_close_all' >\n<section class='av_toggle_section av-kshhycfo-b9f4f2fdc6de18bd29db7b568b0dbb03'  itemscope=\"itemscope\" itemtype=\"https:\/\/schema.org\/BlogPosting\" itemprop=\"blogPost\" ><div role=\"tablist\" class=\"single_toggle\" data-tags=\"{Tout} \"  ><p id='toggle-toggle-id-1' data-fake-id='#toggle-id-1' class='toggler  av-title-above '  itemprop=\"headline\"  role='tab' tabindex='0' aria-controls='toggle-id-1' data-slide-speed=\"200\" data-title=\"Note:\" data-title-open=\"\" data-aria_collapsed=\"Cliquez pour \u00e9tendre : Note:\" data-aria_expanded=\"Cliquez pour r\u00e9duire : Note:\">Note:<span class=\"toggle_icon\"><span class=\"vert_icon\"><\/span><span class=\"hor_icon\"><\/span><\/span><\/p><div id='toggle-id-1' aria-labelledby='toggle-toggle-id-1' role='region' class='toggle_wrap  av-title-above'  ><div class='toggle_content invers-color '  itemprop=\"text\" ><p><strong>Le foto inserite nell\u2019articolo sono tratte dal sito web ufficiale dello spettacolo <em>Alice\u2019s Adventures Underground: <\/em><\/strong><a href=\"https:\/\/www.alice-underground.com\/aau\/gallery\" target=\"_blank\" rel=\"noopener\">https:\/\/www.alice-underground.com\/aau\/gallery<\/a><br \/>\n<strong>Il copyright della foto del Bianconiglio \u00e8 di Tristram Kenton.<\/strong><\/p>\n<\/div><\/div><\/div><\/section>\n<\/div><br \/>\n\n<style type=\"text\/css\" data-created_by=\"avia_inline_auto\" id=\"style-css-av-kckhowh1-5bed1834f9d5919f608c0ccb124b181d\">\n#top .hr.hr-invisible.av-kckhowh1-5bed1834f9d5919f608c0ccb124b181d{\nheight:40px;\n}\n<\/style>\n<div  class='hr av-kckhowh1-5bed1834f9d5919f608c0ccb124b181d hr-invisible  avia-builder-el-6  el_after_av_textblock  avia-builder-el-last '><span class='hr-inner '><span class=\"hr-inner-style\"><\/span><\/span><\/div><\/p><\/div>\n<style type=\"text\/css\" data-created_by=\"avia_inline_auto\" id=\"style-css-av-3mthk-b0ba06c7ed37fda07c62a48a6581d11f\">\n#top .flex_column_table.av-equal-height-column-flextable.av-3mthk-b0ba06c7ed37fda07c62a48a6581d11f{\nmargin-top:-60px;\nmargin-bottom:-60px;\n}\n.flex_column.av-3mthk-b0ba06c7ed37fda07c62a48a6581d11f{\nborder-radius:0px 0px 0px 0px;\npadding:30px 30px 30px 30px;\nbackground-color:#f0f0f0;\n}\n<\/style>\n<div  class='flex_column av-3mthk-b0ba06c7ed37fda07c62a48a6581d11f av_one_third  avia-builder-el-7  el_after_av_two_third  avia-builder-el-last  no_margin flex_column_table_cell av-equal-height-column av-align-top  '     ><p><div  class='avia-builder-widget-area clearfix  avia-builder-el-8  el_before_av_sidebar  avia-builder-el-first '><section id=\"nav_menu-9\" class=\"widget clearfix widget_nav_menu\"><h3 class=\"widgettitle\">Catalogue<\/h3><div class=\"menu-catalogue-2-container\"><ul id=\"menu-catalogue-2\" class=\"menu\"><li id=\"menu-item-4155\" class=\"menu-item menu-item-type-post_type menu-item-object-page menu-item-4155\"><a href=\"https:\/\/stage.annamariamartinolli.it\/fr\/catalogue\/livres\/\">Livres<\/a><\/li>\n<li id=\"menu-item-4156\" class=\"menu-item menu-item-type-post_type menu-item-object-page menu-item-4156\"><a href=\"https:\/\/stage.annamariamartinolli.it\/fr\/catalogue\/scenarios-de-theatre\/\">Sc\u00e9narios de th\u00e9\u00e2tre<\/a><\/li>\n<li id=\"menu-item-7144\" class=\"menu-item menu-item-type-post_type menu-item-object-page menu-item-7144\"><a href=\"https:\/\/stage.annamariamartinolli.it\/fr\/catalogue\/journalisme\/\">Journalisme<\/a><\/li>\n<li id=\"menu-item-4157\" class=\"menu-item menu-item-type-post_type menu-item-object-page menu-item-4157\"><a href=\"https:\/\/stage.annamariamartinolli.it\/fr\/catalogue\/demandes\/\">Demandes<\/a><\/li>\n<\/ul><\/div><span class=\"seperator extralight-border\"><\/span><\/section><\/div><br \/>\n<div  class='avia-builder-widget-area clearfix  avia-builder-el-9  el_after_av_sidebar  avia-builder-el-last '><section id=\"newsbox-15\" class=\"widget clearfix avia-widget-container newsbox\"><h3 class=\"widgettitle\">Art<\/h3><ul class=\"news-wrap image_size_widget\"><li class=\"news-content post-format-standard\"><div class=\"news-link\"><a class='news-thumb ' title=\"Lire : I contorni della paura. Tracce di arte pittorica nel giallo italiano\" href=\"https:\/\/stage.annamariamartinolli.it\/fr\/2026\/01\/i-contorni-della-paura-tracce-di-arte-pittorica-nel-giallo-italiano\/\"><img decoding=\"async\" loading=\"lazy\" width=\"36\" height=\"36\" src=\"https:\/\/stage.annamariamartinolli.it\/wp-content\/uploads\/2026\/01\/ragazza-36x36.jpg\" class=\"wp-image-16143 avia-img-lazy-loading-16143 attachment-widget size-widget wp-post-image\" alt=\"I contorni della paura. Tracce di arte pittorica nel giallo italiano\" srcset=\"https:\/\/stage.annamariamartinolli.it\/wp-content\/uploads\/2026\/01\/ragazza-36x36.jpg 36w, https:\/\/stage.annamariamartinolli.it\/wp-content\/uploads\/2026\/01\/ragazza-80x80.jpg 80w, https:\/\/stage.annamariamartinolli.it\/wp-content\/uploads\/2026\/01\/ragazza-180x180.jpg 180w, https:\/\/stage.annamariamartinolli.it\/wp-content\/uploads\/2026\/01\/ragazza-120x120.jpg 120w, https:\/\/stage.annamariamartinolli.it\/wp-content\/uploads\/2026\/01\/ragazza-450x450.jpg 450w, https:\/\/stage.annamariamartinolli.it\/wp-content\/uploads\/2026\/01\/ragazza-300x300.jpg 300w, https:\/\/stage.annamariamartinolli.it\/wp-content\/uploads\/2026\/01\/ragazza-100x100.jpg 100w\" sizes=\"auto, (max-width: 36px) 100vw, 36px\" \/><\/a><div class=\"news-headline\"><a class='news-title' title=\"Lire : I contorni della paura. Tracce di arte pittorica nel giallo italiano\" href=\"https:\/\/stage.annamariamartinolli.it\/fr\/2026\/01\/i-contorni-della-paura-tracce-di-arte-pittorica-nel-giallo-italiano\/\">I contorni della paura. Tracce di arte pittorica nel giallo italiano<\/a><span class=\"news-time\">6 January 2026 - 11:17<\/span><\/div><\/div><\/li><li class=\"news-content post-format-standard\"><div class=\"news-link\"><a class='news-thumb ' title=\"Lire : Il cinema nei dipinti di Edward Hopper (III): New York Movie\" href=\"https:\/\/stage.annamariamartinolli.it\/fr\/2021\/08\/il-cinema-nei-dipinti-di-edward-hopper-iii-new-york-movie\/\"><img decoding=\"async\" loading=\"lazy\" width=\"36\" height=\"36\" src=\"https:\/\/stage.annamariamartinolli.it\/wp-content\/uploads\/2021\/08\/new-york-36x36.jpg\" class=\"wp-image-10070 avia-img-lazy-loading-10070 attachment-widget size-widget wp-post-image\" alt=\"Il cinema nei dipinti di Edward Hopper (III): New York Movie\" srcset=\"https:\/\/stage.annamariamartinolli.it\/wp-content\/uploads\/2021\/08\/new-york-36x36.jpg 36w, https:\/\/stage.annamariamartinolli.it\/wp-content\/uploads\/2021\/08\/new-york-80x80.jpg 80w, https:\/\/stage.annamariamartinolli.it\/wp-content\/uploads\/2021\/08\/new-york-180x180.jpg 180w, https:\/\/stage.annamariamartinolli.it\/wp-content\/uploads\/2021\/08\/new-york-100x100.jpg 100w, https:\/\/stage.annamariamartinolli.it\/wp-content\/uploads\/2021\/08\/new-york-300x300.jpg 300w\" sizes=\"auto, (max-width: 36px) 100vw, 36px\" \/><\/a><div class=\"news-headline\"><a class='news-title' title=\"Lire : Il cinema nei dipinti di Edward Hopper (III): New York Movie\" href=\"https:\/\/stage.annamariamartinolli.it\/fr\/2021\/08\/il-cinema-nei-dipinti-di-edward-hopper-iii-new-york-movie\/\">Il cinema nei dipinti di Edward Hopper (III): New York Movie<\/a><span class=\"news-time\">18 August 2021 - 18:40<\/span><\/div><\/div><\/li><li class=\"news-content post-format-standard\"><div class=\"news-link\"><a class='news-thumb ' title=\"Lire : Il cinema nei dipinti di Edward Hopper (II): The Sheridan Theatre\" href=\"https:\/\/stage.annamariamartinolli.it\/fr\/2021\/08\/il-cinema-nei-dipinti-di-edward-hopper-ii-the-sheridan-theatre\/\"><img decoding=\"async\" loading=\"lazy\" width=\"36\" height=\"36\" src=\"https:\/\/stage.annamariamartinolli.it\/wp-content\/uploads\/2021\/08\/sheridan-36x36.jpg\" class=\"wp-image-10082 avia-img-lazy-loading-10082 attachment-widget size-widget wp-post-image\" alt=\"Il cinema nei dipinti di Edward Hopper (II): The Sheridan Theatre\" srcset=\"https:\/\/stage.annamariamartinolli.it\/wp-content\/uploads\/2021\/08\/sheridan-36x36.jpg 36w, https:\/\/stage.annamariamartinolli.it\/wp-content\/uploads\/2021\/08\/sheridan-80x80.jpg 80w, https:\/\/stage.annamariamartinolli.it\/wp-content\/uploads\/2021\/08\/sheridan-180x180.jpg 180w, https:\/\/stage.annamariamartinolli.it\/wp-content\/uploads\/2021\/08\/sheridan-396x400.jpg 396w, https:\/\/stage.annamariamartinolli.it\/wp-content\/uploads\/2021\/08\/sheridan-100x100.jpg 100w, https:\/\/stage.annamariamartinolli.it\/wp-content\/uploads\/2021\/08\/sheridan-300x300.jpg 300w\" sizes=\"auto, (max-width: 36px) 100vw, 36px\" \/><\/a><div class=\"news-headline\"><a class='news-title' title=\"Lire : Il cinema nei dipinti di Edward Hopper (II): The Sheridan Theatre\" href=\"https:\/\/stage.annamariamartinolli.it\/fr\/2021\/08\/il-cinema-nei-dipinti-di-edward-hopper-ii-the-sheridan-theatre\/\">Il cinema nei dipinti di Edward Hopper (II): The Sheridan Theatre<\/a><span class=\"news-time\">18 August 2021 - 18:33<\/span><\/div><\/div><\/li><\/ul><span class=\"seperator extralight-border\"><\/span><\/section><section id=\"newsbox-17\" class=\"widget clearfix avia-widget-container newsbox\"><h3 class=\"widgettitle\">Cin\u00e9ma<\/h3><ul class=\"news-wrap image_size_widget\"><li class=\"news-content post-format-standard\"><div class=\"news-link\"><a class='news-thumb ' title=\"Lire : Prigionieri dell\u2019oceano (Lifeboat) di Alfred Hitchcock\" href=\"https:\/\/stage.annamariamartinolli.it\/fr\/2026\/01\/prigionieri-delloceano-lifeboat-di-alfred-hitchcock\/\"><img decoding=\"async\" loading=\"lazy\" width=\"36\" height=\"36\" src=\"https:\/\/stage.annamariamartinolli.it\/wp-content\/uploads\/2026\/01\/lifeboat-36x36.jpg\" class=\"wp-image-16298 avia-img-lazy-loading-16298 attachment-widget size-widget wp-post-image\" alt=\"lifeboat\" srcset=\"https:\/\/stage.annamariamartinolli.it\/wp-content\/uploads\/2026\/01\/lifeboat-36x36.jpg 36w, https:\/\/stage.annamariamartinolli.it\/wp-content\/uploads\/2026\/01\/lifeboat-80x80.jpg 80w, https:\/\/stage.annamariamartinolli.it\/wp-content\/uploads\/2026\/01\/lifeboat-180x180.jpg 180w, https:\/\/stage.annamariamartinolli.it\/wp-content\/uploads\/2026\/01\/lifeboat-185x185.jpg 185w, https:\/\/stage.annamariamartinolli.it\/wp-content\/uploads\/2026\/01\/lifeboat-120x120.jpg 120w, https:\/\/stage.annamariamartinolli.it\/wp-content\/uploads\/2026\/01\/lifeboat-100x100.jpg 100w\" sizes=\"auto, (max-width: 36px) 100vw, 36px\" \/><\/a><div class=\"news-headline\"><a class='news-title' title=\"Lire : Prigionieri dell\u2019oceano (Lifeboat) di Alfred Hitchcock\" href=\"https:\/\/stage.annamariamartinolli.it\/fr\/2026\/01\/prigionieri-delloceano-lifeboat-di-alfred-hitchcock\/\">Prigionieri dell\u2019oceano (Lifeboat) di Alfred Hitchcock<\/a><span class=\"news-time\">9 January 2026 - 10:54<\/span><\/div><\/div><\/li><li class=\"news-content post-format-standard\"><div class=\"news-link\"><a class='news-thumb ' title=\"Lire : Il fiore del mio segreto (Almod\u00f3var, 1995): la letteratura come seduzione\" href=\"https:\/\/stage.annamariamartinolli.it\/fr\/2026\/01\/il-fiore-del-mio-segreto-almodovar-1995-la-letteratura-come-seduzione\/\"><img decoding=\"async\" loading=\"lazy\" width=\"36\" height=\"36\" src=\"https:\/\/stage.annamariamartinolli.it\/wp-content\/uploads\/2026\/01\/flordemisecreto-36x36.jpg\" class=\"wp-image-16241 avia-img-lazy-loading-16241 attachment-widget size-widget wp-post-image\" alt=\"flordemisecreto\" srcset=\"https:\/\/stage.annamariamartinolli.it\/wp-content\/uploads\/2026\/01\/flordemisecreto-36x36.jpg 36w, https:\/\/stage.annamariamartinolli.it\/wp-content\/uploads\/2026\/01\/flordemisecreto-80x80.jpg 80w, https:\/\/stage.annamariamartinolli.it\/wp-content\/uploads\/2026\/01\/flordemisecreto-180x180.jpg 180w, https:\/\/stage.annamariamartinolli.it\/wp-content\/uploads\/2026\/01\/flordemisecreto-185x185.jpg 185w, https:\/\/stage.annamariamartinolli.it\/wp-content\/uploads\/2026\/01\/flordemisecreto-120x120.jpg 120w, https:\/\/stage.annamariamartinolli.it\/wp-content\/uploads\/2026\/01\/flordemisecreto-100x100.jpg 100w\" sizes=\"auto, (max-width: 36px) 100vw, 36px\" \/><\/a><div class=\"news-headline\"><a class='news-title' title=\"Lire : Il fiore del mio segreto (Almod\u00f3var, 1995): la letteratura come seduzione\" href=\"https:\/\/stage.annamariamartinolli.it\/fr\/2026\/01\/il-fiore-del-mio-segreto-almodovar-1995-la-letteratura-come-seduzione\/\">Il fiore del mio segreto (Almod\u00f3var, 1995): la letteratura come seduzione<\/a><span class=\"news-time\">8 January 2026 - 11:10<\/span><\/div><\/div><\/li><li class=\"news-content post-format-standard\"><div class=\"news-link\"><a class='news-thumb ' title=\"Lire : I contorni della paura. Tracce di arte pittorica nel giallo italiano\" href=\"https:\/\/stage.annamariamartinolli.it\/fr\/2026\/01\/i-contorni-della-paura-tracce-di-arte-pittorica-nel-giallo-italiano\/\"><img decoding=\"async\" loading=\"lazy\" width=\"36\" height=\"36\" src=\"https:\/\/stage.annamariamartinolli.it\/wp-content\/uploads\/2026\/01\/ragazza-36x36.jpg\" class=\"wp-image-16143 avia-img-lazy-loading-16143 attachment-widget size-widget wp-post-image\" alt=\"I contorni della paura. Tracce di arte pittorica nel giallo italiano\" srcset=\"https:\/\/stage.annamariamartinolli.it\/wp-content\/uploads\/2026\/01\/ragazza-36x36.jpg 36w, https:\/\/stage.annamariamartinolli.it\/wp-content\/uploads\/2026\/01\/ragazza-80x80.jpg 80w, https:\/\/stage.annamariamartinolli.it\/wp-content\/uploads\/2026\/01\/ragazza-180x180.jpg 180w, https:\/\/stage.annamariamartinolli.it\/wp-content\/uploads\/2026\/01\/ragazza-120x120.jpg 120w, https:\/\/stage.annamariamartinolli.it\/wp-content\/uploads\/2026\/01\/ragazza-450x450.jpg 450w, https:\/\/stage.annamariamartinolli.it\/wp-content\/uploads\/2026\/01\/ragazza-300x300.jpg 300w, https:\/\/stage.annamariamartinolli.it\/wp-content\/uploads\/2026\/01\/ragazza-100x100.jpg 100w\" sizes=\"auto, (max-width: 36px) 100vw, 36px\" \/><\/a><div class=\"news-headline\"><a class='news-title' title=\"Lire : I contorni della paura. Tracce di arte pittorica nel giallo italiano\" href=\"https:\/\/stage.annamariamartinolli.it\/fr\/2026\/01\/i-contorni-della-paura-tracce-di-arte-pittorica-nel-giallo-italiano\/\">I contorni della paura. Tracce di arte pittorica nel giallo italiano<\/a><span class=\"news-time\">6 January 2026 - 11:17<\/span><\/div><\/div><\/li><\/ul><span class=\"seperator extralight-border\"><\/span><\/section><section id=\"newsbox-19\" class=\"widget clearfix avia-widget-container newsbox\"><h3 class=\"widgettitle\">Omnia<\/h3><ul class=\"news-wrap image_size_widget\"><li class=\"news-content post-format-standard\"><div class=\"news-link\"><a class='news-thumb ' title=\"Lire : Scoprendo Joe Orton (II)\" href=\"https:\/\/stage.annamariamartinolli.it\/fr\/2019\/04\/scoprendo-joe-orton-ii\/\"><img decoding=\"async\" loading=\"lazy\" width=\"36\" height=\"36\" src=\"https:\/\/stage.annamariamartinolli.it\/wp-content\/uploads\/2020\/07\/mar-07-36x36.jpg\" class=\"wp-image-4238 avia-img-lazy-loading-4238 attachment-widget size-widget wp-post-image\" alt=\"\" srcset=\"https:\/\/stage.annamariamartinolli.it\/wp-content\/uploads\/2020\/07\/mar-07-36x36.jpg 36w, https:\/\/stage.annamariamartinolli.it\/wp-content\/uploads\/2020\/07\/mar-07-300x300.jpg 300w, https:\/\/stage.annamariamartinolli.it\/wp-content\/uploads\/2020\/07\/mar-07-100x100.jpg 100w, https:\/\/stage.annamariamartinolli.it\/wp-content\/uploads\/2020\/07\/mar-07-80x80.jpg 80w, https:\/\/stage.annamariamartinolli.it\/wp-content\/uploads\/2020\/07\/mar-07-180x180.jpg 180w\" sizes=\"auto, (max-width: 36px) 100vw, 36px\" \/><\/a><div class=\"news-headline\"><a class='news-title' title=\"Lire : Scoprendo Joe Orton (II)\" href=\"https:\/\/stage.annamariamartinolli.it\/fr\/2019\/04\/scoprendo-joe-orton-ii\/\">Scoprendo Joe Orton (II)<\/a><span class=\"news-time\">30 April 2019 - 10:55<\/span><\/div><\/div><\/li><li class=\"news-content post-format-standard\"><div class=\"news-link\"><a class='news-thumb ' title=\"Lire : Scoprendo Joe Orton (I)\" href=\"https:\/\/stage.annamariamartinolli.it\/fr\/2019\/04\/scoprendo-joe-orton-i\/\"><img decoding=\"async\" loading=\"lazy\" width=\"36\" height=\"36\" src=\"https:\/\/stage.annamariamartinolli.it\/wp-content\/uploads\/2020\/07\/mar-01-1-2-36x36.jpg\" class=\"wp-image-4263 avia-img-lazy-loading-4263 attachment-widget size-widget wp-post-image\" alt=\"\" srcset=\"https:\/\/stage.annamariamartinolli.it\/wp-content\/uploads\/2020\/07\/mar-01-1-2-36x36.jpg 36w, https:\/\/stage.annamariamartinolli.it\/wp-content\/uploads\/2020\/07\/mar-01-1-2-300x300.jpg 300w, https:\/\/stage.annamariamartinolli.it\/wp-content\/uploads\/2020\/07\/mar-01-1-2-100x100.jpg 100w, https:\/\/stage.annamariamartinolli.it\/wp-content\/uploads\/2020\/07\/mar-01-1-2-80x80.jpg 80w, https:\/\/stage.annamariamartinolli.it\/wp-content\/uploads\/2020\/07\/mar-01-1-2-180x180.jpg 180w\" sizes=\"auto, (max-width: 36px) 100vw, 36px\" \/><\/a><div class=\"news-headline\"><a class='news-title' title=\"Lire : Scoprendo Joe Orton (I)\" href=\"https:\/\/stage.annamariamartinolli.it\/fr\/2019\/04\/scoprendo-joe-orton-i\/\">Scoprendo Joe Orton (I)<\/a><span class=\"news-time\">29 April 2019 - 10:50<\/span><\/div><\/div><\/li><li class=\"news-content post-format-standard\"><div class=\"news-link\"><a class='news-thumb ' title=\"Lire : Claudio Magris: Come una bottiglia adagiata su un fiume\" href=\"https:\/\/stage.annamariamartinolli.it\/fr\/2017\/11\/claudio-magris-come-una-bottiglia-adagiata-su-un-fiume\/\"><img decoding=\"async\" loading=\"lazy\" width=\"36\" height=\"36\" src=\"https:\/\/stage.annamariamartinolli.it\/wp-content\/uploads\/2014\/12\/mar-02-36x36.jpg\" class=\"wp-image-5183 avia-img-lazy-loading-5183 attachment-widget size-widget wp-post-image\" alt=\"\" srcset=\"https:\/\/stage.annamariamartinolli.it\/wp-content\/uploads\/2014\/12\/mar-02-36x36.jpg 36w, https:\/\/stage.annamariamartinolli.it\/wp-content\/uploads\/2014\/12\/mar-02-300x300.jpg 300w, https:\/\/stage.annamariamartinolli.it\/wp-content\/uploads\/2014\/12\/mar-02-100x100.jpg 100w, https:\/\/stage.annamariamartinolli.it\/wp-content\/uploads\/2014\/12\/mar-02-80x80.jpg 80w, https:\/\/stage.annamariamartinolli.it\/wp-content\/uploads\/2014\/12\/mar-02-180x180.jpg 180w\" sizes=\"auto, (max-width: 36px) 100vw, 36px\" \/><\/a><div class=\"news-headline\"><a class='news-title' title=\"Lire : Claudio Magris: Come una bottiglia adagiata su un fiume\" href=\"https:\/\/stage.annamariamartinolli.it\/fr\/2017\/11\/claudio-magris-come-una-bottiglia-adagiata-su-un-fiume\/\">Claudio Magris: Come una bottiglia adagiata su un fiume<\/a><span class=\"news-time\">19 November 2017 - 00:16<\/span><\/div><\/div><\/li><\/ul><span class=\"seperator extralight-border\"><\/span><\/section><section id=\"newsbox-21\" class=\"widget clearfix avia-widget-container newsbox\"><h3 class=\"widgettitle\">Sc\u00e8ne<\/h3><ul class=\"news-wrap image_size_widget\"><li class=\"news-content post-format-standard\"><div class=\"news-link\"><a class='news-thumb ' title=\"Lire : P\u00e9lleas e M\u00e9lisande di Claude Debussy: parodia del 1907\" href=\"https:\/\/stage.annamariamartinolli.it\/fr\/2026\/01\/pelleas-e-melisande-di-claude-debussy-parodia-del-1907\/\"><img decoding=\"async\" loading=\"lazy\" width=\"36\" height=\"36\" src=\"https:\/\/stage.annamariamartinolli.it\/wp-content\/uploads\/2026\/01\/melisande1-36x36.jpg\" class=\"wp-image-16263 avia-img-lazy-loading-16263 attachment-widget size-widget wp-post-image\" alt=\"melisande1\" srcset=\"https:\/\/stage.annamariamartinolli.it\/wp-content\/uploads\/2026\/01\/melisande1-36x36.jpg 36w, https:\/\/stage.annamariamartinolli.it\/wp-content\/uploads\/2026\/01\/melisande1-80x80.jpg 80w, https:\/\/stage.annamariamartinolli.it\/wp-content\/uploads\/2026\/01\/melisande1-180x180.jpg 180w, https:\/\/stage.annamariamartinolli.it\/wp-content\/uploads\/2026\/01\/melisande1-185x185.jpg 185w, https:\/\/stage.annamariamartinolli.it\/wp-content\/uploads\/2026\/01\/melisande1-120x120.jpg 120w, https:\/\/stage.annamariamartinolli.it\/wp-content\/uploads\/2026\/01\/melisande1-100x100.jpg 100w\" sizes=\"auto, (max-width: 36px) 100vw, 36px\" \/><\/a><div class=\"news-headline\"><a class='news-title' title=\"Lire : P\u00e9lleas e M\u00e9lisande di Claude Debussy: parodia del 1907\" href=\"https:\/\/stage.annamariamartinolli.it\/fr\/2026\/01\/pelleas-e-melisande-di-claude-debussy-parodia-del-1907\/\">P\u00e9lleas e M\u00e9lisande di Claude Debussy: parodia del 1907<\/a><span class=\"news-time\">8 January 2026 - 11:38<\/span><\/div><\/div><\/li><li class=\"news-content post-format-standard\"><div class=\"news-link\"><a class='news-thumb ' title=\"Lire : Gli Spettri di Ibsen ossessionano ancora\" href=\"https:\/\/stage.annamariamartinolli.it\/fr\/2022\/10\/gli-spettri-di-ibsen-ossessionano-ancora\/\"><img decoding=\"async\" loading=\"lazy\" width=\"36\" height=\"36\" src=\"https:\/\/stage.annamariamartinolli.it\/wp-content\/uploads\/2022\/10\/ghosts1-36x36.jpg\" class=\"wp-image-11347 avia-img-lazy-loading-11347 attachment-widget size-widget wp-post-image\" alt=\"Spettri\" srcset=\"https:\/\/stage.annamariamartinolli.it\/wp-content\/uploads\/2022\/10\/ghosts1-36x36.jpg 36w, https:\/\/stage.annamariamartinolli.it\/wp-content\/uploads\/2022\/10\/ghosts1-80x80.jpg 80w, https:\/\/stage.annamariamartinolli.it\/wp-content\/uploads\/2022\/10\/ghosts1-180x180.jpg 180w, https:\/\/stage.annamariamartinolli.it\/wp-content\/uploads\/2022\/10\/ghosts1-120x120.jpg 120w, https:\/\/stage.annamariamartinolli.it\/wp-content\/uploads\/2022\/10\/ghosts1-450x450.jpg 450w, https:\/\/stage.annamariamartinolli.it\/wp-content\/uploads\/2022\/10\/ghosts1-300x300.jpg 300w, https:\/\/stage.annamariamartinolli.it\/wp-content\/uploads\/2022\/10\/ghosts1-100x100.jpg 100w\" sizes=\"auto, (max-width: 36px) 100vw, 36px\" \/><\/a><div class=\"news-headline\"><a class='news-title' title=\"Lire : Gli Spettri di Ibsen ossessionano ancora\" href=\"https:\/\/stage.annamariamartinolli.it\/fr\/2022\/10\/gli-spettri-di-ibsen-ossessionano-ancora\/\">Gli Spettri di Ibsen ossessionano ancora<\/a><span class=\"news-time\">19 October 2022 - 15:29<\/span><\/div><\/div><\/li><li class=\"news-content post-format-standard\"><div class=\"news-link\"><a class='news-thumb ' title=\"Lire : Relaxed Performance: sei paesi per uno studio comparativo\" href=\"https:\/\/stage.annamariamartinolli.it\/fr\/2022\/10\/relaxed-performance-sei-paesi-per-uno-studio-comparativo\/\"><img decoding=\"async\" loading=\"lazy\" width=\"36\" height=\"36\" src=\"https:\/\/stage.annamariamartinolli.it\/wp-content\/uploads\/2022\/10\/relaxedperformance1-36x36.jpg\" class=\"wp-image-11330 avia-img-lazy-loading-11330 attachment-widget size-widget wp-post-image\" alt=\"Relaxed performance\" srcset=\"https:\/\/stage.annamariamartinolli.it\/wp-content\/uploads\/2022\/10\/relaxedperformance1-36x36.jpg 36w, https:\/\/stage.annamariamartinolli.it\/wp-content\/uploads\/2022\/10\/relaxedperformance1-292x300.jpg 292w, https:\/\/stage.annamariamartinolli.it\/wp-content\/uploads\/2022\/10\/relaxedperformance1-80x80.jpg 80w, https:\/\/stage.annamariamartinolli.it\/wp-content\/uploads\/2022\/10\/relaxedperformance1-180x180.jpg 180w, https:\/\/stage.annamariamartinolli.it\/wp-content\/uploads\/2022\/10\/relaxedperformance1-120x120.jpg 120w, https:\/\/stage.annamariamartinolli.it\/wp-content\/uploads\/2022\/10\/relaxedperformance1-450x463.jpg 450w, https:\/\/stage.annamariamartinolli.it\/wp-content\/uploads\/2022\/10\/relaxedperformance1-300x300.jpg 300w, https:\/\/stage.annamariamartinolli.it\/wp-content\/uploads\/2022\/10\/relaxedperformance1-100x100.jpg 100w, https:\/\/stage.annamariamartinolli.it\/wp-content\/uploads\/2022\/10\/relaxedperformance1.jpg 554w\" sizes=\"auto, (max-width: 36px) 100vw, 36px\" \/><\/a><div class=\"news-headline\"><a class='news-title' title=\"Lire : Relaxed Performance: sei paesi per uno studio comparativo\" href=\"https:\/\/stage.annamariamartinolli.it\/fr\/2022\/10\/relaxed-performance-sei-paesi-per-uno-studio-comparativo\/\">Relaxed Performance: sei paesi per uno studio comparativo<\/a><span class=\"news-time\">19 October 2022 - 15:10<\/span><\/div><\/div><\/li><\/ul><span class=\"seperator extralight-border\"><\/span><\/section><section id=\"newsbox-23\" class=\"widget clearfix avia-widget-container newsbox\"><h3 class=\"widgettitle\">Ecriture<\/h3><ul class=\"news-wrap image_size_widget\"><li class=\"news-content post-format-standard\"><div class=\"news-link\"><a class='news-thumb ' title=\"Lire : Tutto il mondo \u00e8 un Disco\" href=\"https:\/\/stage.annamariamartinolli.it\/fr\/2026\/01\/tutto-il-mondo-e-un-disco\/\"><img decoding=\"async\" loading=\"lazy\" width=\"36\" height=\"36\" src=\"https:\/\/stage.annamariamartinolli.it\/wp-content\/uploads\/2026\/01\/sorellanzastregonesca-36x36.jpg\" class=\"wp-image-16320 avia-img-lazy-loading-16320 attachment-widget size-widget wp-post-image\" alt=\"Sorellanza Stregonesca\" srcset=\"https:\/\/stage.annamariamartinolli.it\/wp-content\/uploads\/2026\/01\/sorellanzastregonesca-36x36.jpg 36w, https:\/\/stage.annamariamartinolli.it\/wp-content\/uploads\/2026\/01\/sorellanzastregonesca-80x80.jpg 80w, https:\/\/stage.annamariamartinolli.it\/wp-content\/uploads\/2026\/01\/sorellanzastregonesca-180x180.jpg 180w, https:\/\/stage.annamariamartinolli.it\/wp-content\/uploads\/2026\/01\/sorellanzastregonesca-185x185.jpg 185w, https:\/\/stage.annamariamartinolli.it\/wp-content\/uploads\/2026\/01\/sorellanzastregonesca-120x120.jpg 120w, https:\/\/stage.annamariamartinolli.it\/wp-content\/uploads\/2026\/01\/sorellanzastregonesca-100x100.jpg 100w\" sizes=\"auto, (max-width: 36px) 100vw, 36px\" \/><\/a><div class=\"news-headline\"><a class='news-title' title=\"Lire : Tutto il mondo \u00e8 un Disco\" href=\"https:\/\/stage.annamariamartinolli.it\/fr\/2026\/01\/tutto-il-mondo-e-un-disco\/\">Tutto il mondo \u00e8 un Disco<\/a><span class=\"news-time\">9 January 2026 - 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10:25<\/span><\/div><\/div><\/li><\/ul><span class=\"seperator extralight-border\"><\/span><\/section><section id=\"avia_combo_widget-5\" class=\"widget clearfix avia-widget-container avia_combo_widget avia_no_block_preview\"><div class=\"avia-preview-headline\">Martinolli Widget de contenus combin\u00e9s<\/div><div class=\"avia-preview-info\">Onglets : Articles r\u00e9cents, Articles mis en avant<\/div><div class=\"avia-preview-in-front\">Les onglets ne peuvent \u00eatre affich\u00e9s correctement qu\u2019en partie publique.<\/div><span class=\"seperator extralight-border\"><\/span><\/section><\/div><\/p><\/div><\/div><!--close column table wrapper. Autoclose: 1 --><\/div><\/div><\/div><!-- close content main div --><\/div><\/div><div id='after_section_2'  class='main_color av_default_container_wrap container_wrap sidebar_right'  ><div class='container av-section-cont-open' ><div class='template-page content  av-content-small alpha units'><div class='post-entry post-entry-type-page post-entry-11351'><div class='entry-content-wrapper clearfix'><\/p>\n","protected":false},"excerpt":{"rendered":"","protected":false},"author":2,"featured_media":11347,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"footnotes":""},"categories":[226],"tags":[776,361,432,777],"class_list":["post-11351","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-scene","tag-henrik-ibsen-fr","tag-palcoscenico-fr","tag-recensioni-fr","tag-spettri-fr"],"_links":{"self":[{"href":"https:\/\/stage.annamariamartinolli.it\/fr\/wp-json\/wp\/v2\/posts\/11351","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/stage.annamariamartinolli.it\/fr\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/stage.annamariamartinolli.it\/fr\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/stage.annamariamartinolli.it\/fr\/wp-json\/wp\/v2\/users\/2"}],"replies":[{"embeddable":true,"href":"https:\/\/stage.annamariamartinolli.it\/fr\/wp-json\/wp\/v2\/comments?post=11351"}],"version-history":[{"count":0,"href":"https:\/\/stage.annamariamartinolli.it\/fr\/wp-json\/wp\/v2\/posts\/11351\/revisions"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/stage.annamariamartinolli.it\/fr\/wp-json\/wp\/v2\/media\/11347"}],"wp:attachment":[{"href":"https:\/\/stage.annamariamartinolli.it\/fr\/wp-json\/wp\/v2\/media?parent=11351"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/stage.annamariamartinolli.it\/fr\/wp-json\/wp\/v2\/categories?post=11351"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/stage.annamariamartinolli.it\/fr\/wp-json\/wp\/v2\/tags?post=11351"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}