{"id":4536,"date":"2020-07-13T16:50:24","date_gmt":"2020-07-13T14:50:24","guid":{"rendered":"http:\/\/stage.annamariamartinolli.it\/?page_id=4536"},"modified":"2026-01-09T11:21:12","modified_gmt":"2026-01-09T10:21:12","slug":"journalisme","status":"publish","type":"page","link":"https:\/\/stage.annamariamartinolli.it\/fr\/catalogue\/journalisme\/","title":{"rendered":"Journalisme"},"content":{"rendered":"\n<style type=\"text\/css\" data-created_by=\"avia_inline_auto\" id=\"style-css-av-52syb-66ef0bad455e63feba8e5cb05c7cf09b\">\n.avia-section.av-52syb-66ef0bad455e63feba8e5cb05c7cf09b .av-parallax .av-parallax-inner{\nbackground-repeat:no-repeat;\nbackground-image:url(https:\/\/stage.annamariamartinolli.it\/wp-content\/uploads\/2020\/07\/se-sfondo.jpeg);\nbackground-position:50% 0%;\nbackground-attachment:scroll;\n}\n.avia-section.av-52syb-66ef0bad455e63feba8e5cb05c7cf09b .av-section-color-overlay{\nopacity:0.3;\nbackground-color:#000000;\n}\n<\/style>\n<div id='av_section_1'  class='avia-section av-52syb-66ef0bad455e63feba8e5cb05c7cf09b main_color avia-section-large avia-no-shadow  avia-builder-el-0  el_before_av_section  avia-builder-el-first  avia-full-stretch av-parallax-section avia-bg-style-parallax av-section-color-overlay-active container_wrap sidebar_right'  data-section-bg-repeat='stretch'><div class='av-parallax' data-avia-parallax-ratio='0.3' ><div class='av-parallax-inner main_color avia-full-stretch'><\/div><\/div><div class=\"av-section-color-overlay-wrap\"><div class=\"av-section-color-overlay\"><\/div><div class='container av-section-cont-open' ><main  role=\"main\" itemprop=\"mainContentOfPage\"  class='template-page content  av-content-small alpha units'><div class='post-entry post-entry-type-page post-entry-4536'><div class='entry-content-wrapper clearfix'>\n\n<style type=\"text\/css\" data-created_by=\"avia_inline_auto\" id=\"style-css-av-kckmj6ar-ca74f58db3ac86f5ac854cc6d4e24da7\">\n#top .av-special-heading.av-kckmj6ar-ca74f58db3ac86f5ac854cc6d4e24da7{\npadding-bottom:0;\ncolor:#ffffff;\nfont-size:50px;\n}\nbody .av-special-heading.av-kckmj6ar-ca74f58db3ac86f5ac854cc6d4e24da7 .av-special-heading-tag .heading-char{\nfont-size:25px;\n}\n#top #wrap_all .av-special-heading.av-kckmj6ar-ca74f58db3ac86f5ac854cc6d4e24da7 .av-special-heading-tag{\nfont-size:50px;\n}\n.av-special-heading.av-kckmj6ar-ca74f58db3ac86f5ac854cc6d4e24da7 .special-heading-inner-border{\nborder-color:#ffffff;\n}\n.av-special-heading.av-kckmj6ar-ca74f58db3ac86f5ac854cc6d4e24da7 .av-subheading{\nfont-size:15px;\n}\n\n@media only screen and (min-width: 480px) and (max-width: 767px){ \n#top #wrap_all .av-special-heading.av-kckmj6ar-ca74f58db3ac86f5ac854cc6d4e24da7 .av-special-heading-tag{\nfont-size:0.8em;\n}\n}\n\n@media only screen and (max-width: 479px){ \n#top #wrap_all .av-special-heading.av-kckmj6ar-ca74f58db3ac86f5ac854cc6d4e24da7 .av-special-heading-tag{\nfont-size:0.8em;\n}\n}\n<\/style>\n<div  class='av-special-heading av-kckmj6ar-ca74f58db3ac86f5ac854cc6d4e24da7 av-special-heading-h3 custom-color-heading blockquote modern-quote modern-centered  avia-builder-el-1  el_before_av_hr  avia-builder-el-first  av-inherit-size'><h3 class='av-special-heading-tag '  itemprop=\"headline\"  >Traduction d\u2019articles de journaux<\/h3><div class='av_custom_color av-subheading av-subheading_below'><p>Culture et spectacles tir\u00e9s de la presse \u00e9trang\u00e8re<\/p>\n<\/div><div class=\"special-heading-border\"><div class=\"special-heading-inner-border\"><\/div><\/div><\/div>\n\n<style type=\"text\/css\" data-created_by=\"avia_inline_auto\" id=\"style-css-av-42azj-32c3e39bfe11a4925b0d4785c00d57d9\">\n#top .hr.av-42azj-32c3e39bfe11a4925b0d4785c00d57d9{\nmargin-top:30px;\nmargin-bottom:30px;\n}\n.hr.av-42azj-32c3e39bfe11a4925b0d4785c00d57d9 .hr-inner{\nwidth:20%;\nborder-color:rgba(255,255,255,0.76);\nmax-width:45%;\n}\n.hr.av-42azj-32c3e39bfe11a4925b0d4785c00d57d9 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sidebar_right'  ><div class='container av-section-cont-open' ><div class='template-page content  av-content-small alpha units'><div class='post-entry post-entry-type-page post-entry-4536'><div class='entry-content-wrapper clearfix'>\n<div class='flex_column_table av-2speb-b5d6712b3cb98ca2b888d3c2d5c22a23 sc-av_one_full av-equal-height-column-flextable'>\n<style type=\"text\/css\" data-created_by=\"avia_inline_auto\" id=\"style-css-av-2speb-b5d6712b3cb98ca2b888d3c2d5c22a23\">\n#top .flex_column_table.av-equal-height-column-flextable.av-2speb-b5d6712b3cb98ca2b888d3c2d5c22a23{\nmargin-top:-90px;\nmargin-bottom:-90px;\n}\n.flex_column.av-2speb-b5d6712b3cb98ca2b888d3c2d5c22a23{\nborder-radius:0px 0px 0px 0px;\npadding:30px 30px 30px 30px;\nbackground-color:#ffffff;\n}\n<\/style>\n<div  class='flex_column av-2speb-b5d6712b3cb98ca2b888d3c2d5c22a23 av_one_full  avia-builder-el-4  avia-builder-el-no-sibling  first no_margin flex_column_table_cell av-equal-height-column av-align-top  '     ><p><div id='av-masonry-1' class='av-masonry av-kci9ptyj-275d3df3ac8e47e9f503f813d2d3a9f7 noHover av-fixed-size av-1px-gap av-hover-overlay-fade_out av-masonry-animation-active av-masonry-col-4 av-caption-always av-caption-style-overlay av-masonry-entries av-orientation-portrait-large ' data-post_id=\"4536\"><div class='av-masonry-sort main_color av-sort-yes' data-masonry-id='1' ><div class='av-sort-by-term  ' data-av-allowed-sort='[\"art-fr_sort\",\"cinema-fr_sort\",\"ecriture_sort\",\"omnia-fr_sort\",\"scene_sort\"]' ><a href=\"#\" data-filter=\"all_sort\" class=\"all_sort_button active_sort\"><span class=\"inner_sort_button\"><span>Tout<\/span><small class=\"avia-term-count\"> 28 <\/small><\/span><\/a><span class='text-sep art-fr_sort_sep avia_show_sort'>\/<\/span><a href=\"#\" data-filter=\"art-fr_sort\" class=\"art-fr_sort_button avia_show_sort\" ><span class=\"inner_sort_button\"><span>Art<\/span><small class='avia-term-count'> 5 <\/small><\/span><\/a><span class='text-sep cinema-fr_sort_sep avia_show_sort'>\/<\/span><a href=\"#\" data-filter=\"cinema-fr_sort\" class=\"cinema-fr_sort_button avia_show_sort\" ><span class=\"inner_sort_button\"><span>Cin\u00e9ma<\/span><small class='avia-term-count'> 7 <\/small><\/span><\/a><span class='text-sep ecriture_sort_sep avia_show_sort'>\/<\/span><a href=\"#\" data-filter=\"ecriture_sort\" class=\"ecriture_sort_button avia_show_sort\" ><span class=\"inner_sort_button\"><span>Ecriture<\/span><small class='avia-term-count'> 10 <\/small><\/span><\/a><span class='text-sep nouvelles_sort_sep avia_hide_sort'>\/<\/span><a href=\"#\" data-filter=\"nouvelles_sort\" class=\"nouvelles_sort_button avia_hide_sort\" ><span class=\"inner_sort_button\"><span>Nouvelles<\/span><small class='avia-term-count'> 0 <\/small><\/span><\/a><span class='text-sep omnia-fr_sort_sep avia_hide_sort'>\/<\/span><a href=\"#\" data-filter=\"omnia-fr_sort\" class=\"omnia-fr_sort_button avia_hide_sort\" ><span class=\"inner_sort_button\"><span>Omnia<\/span><small class='avia-term-count'> 0 <\/small><\/span><\/a><span class='text-sep scene_sort_sep avia_show_sort'>\/<\/span><a href=\"#\" data-filter=\"scene_sort\" class=\"scene_sort_button avia_show_sort\" ><span class=\"inner_sort_button\"><span>Sc\u00e8ne<\/span><small class='avia-term-count'> 9 <\/small><\/span><\/a><\/div><\/div><div class=\"av-masonry-container isotope av-js-disabled\"><div class='av-masonry-entry isotope-item av-masonry-item-no-image all_sort ecriture_sort  cinema-fr_sort  scene_sort  art-fr_sort '><\/div><a href=\"https:\/\/stage.annamariamartinolli.it\/fr\/2026\/01\/tutto-il-mondo-e-un-disco\/\"  id='av-masonry-1-item-16324' data-av-masonry-item='16324' class='av-masonry-entry isotope-item post-16324 post type-post status-publish format-standard has-post-thumbnail hentry category-ecriture tag-ecriture tag-terry-pratchett tag-trois-soeurcieres tag-wyrd-sisters all_sort ecriture_sort  av-masonry-item-with-image' title=\"sorellanzastregonesca\"   itemscope=\"itemscope\" itemtype=\"https:\/\/schema.org\/CreativeWork\" ><div class='av-inner-masonry-sizer'><\/div><figure class='av-inner-masonry main_color'><div class=\"av-masonry-outerimage-container\"><div class='av-masonry-image-container' style=\"background-image: url(https:\/\/stage.annamariamartinolli.it\/wp-content\/uploads\/2026\/01\/sorellanzastregonesca.jpg);\"  title=\"sorellanzastregonesca\" ><\/div><\/div><figcaption class='av-inner-masonry-content site-background'><div class='av-inner-masonry-content-pos'><div class='av-inner-masonry-content-pos-content'><div class='avia-arrow'><\/div><h3 class='av-masonry-entry-title entry-title '  itemprop=\"headline\" >Tutto il mondo \u00e8 un Disco<\/h3><span class='av-masonry-date meta-color updated'>9 January 2026<\/span><span class=\"av-masonry-text-sep text-sep-author\">\/<\/span><span class='av-masonry-author meta-color author'><span class='fn'>par Annamaria Martinolli<\/span><\/span><\/div><\/div><\/figcaption><\/figure><\/a><!--end av-masonry entry--><a href=\"https:\/\/stage.annamariamartinolli.it\/fr\/2026\/01\/prigionieri-delloceano-lifeboat-di-alfred-hitchcock\/\"  id='av-masonry-1-item-16303' data-av-masonry-item='16303' class='av-masonry-entry isotope-item post-16303 post type-post status-publish format-standard has-post-thumbnail hentry category-cinema-fr tag-alfred-hitchcock-fr tag-cinema-fr tag-les-naufrages tag-lifeboat tag-prigionieri-delloceano-2 all_sort cinema-fr_sort  av-masonry-item-with-image' title=\"lifeboat\"   itemscope=\"itemscope\" itemtype=\"https:\/\/schema.org\/CreativeWork\" ><div class='av-inner-masonry-sizer'><\/div><figure class='av-inner-masonry main_color'><div class=\"av-masonry-outerimage-container\"><div class='av-masonry-image-container' style=\"background-image: url(https:\/\/stage.annamariamartinolli.it\/wp-content\/uploads\/2026\/01\/lifeboat.jpg);\"  title=\"lifeboat\" ><\/div><\/div><figcaption class='av-inner-masonry-content site-background'><div class='av-inner-masonry-content-pos'><div class='av-inner-masonry-content-pos-content'><div class='avia-arrow'><\/div><h3 class='av-masonry-entry-title entry-title '  itemprop=\"headline\" >Prigionieri dell\u2019oceano (Lifeboat) di Alfred Hitchcock<\/h3><span class='av-masonry-date meta-color updated'>9 January 2026<\/span><span class=\"av-masonry-text-sep text-sep-author\">\/<\/span><span class='av-masonry-author meta-color author'><span class='fn'>par Annamaria Martinolli<\/span><\/span><\/div><\/div><\/figcaption><\/figure><\/a><!--end av-masonry entry--><a href=\"https:\/\/stage.annamariamartinolli.it\/fr\/2026\/01\/pelleas-e-melisande-di-claude-debussy-parodia-del-1907\/\"  id='av-masonry-1-item-16267' data-av-masonry-item='16267' class='av-masonry-entry isotope-item post-16267 post type-post status-publish format-standard has-post-thumbnail hentry category-scene tag-maurice-maeterlinck-fr tag-pelleas-e-melisande-fr tag-scene all_sort scene_sort  av-masonry-item-with-image' title=\"melisande1\"   itemscope=\"itemscope\" itemtype=\"https:\/\/schema.org\/CreativeWork\" ><div class='av-inner-masonry-sizer'><\/div><figure class='av-inner-masonry main_color'><div class=\"av-masonry-outerimage-container\"><div class='av-masonry-image-container' style=\"background-image: url(https:\/\/stage.annamariamartinolli.it\/wp-content\/uploads\/2026\/01\/melisande1.jpg);\"  title=\"melisande1\" ><\/div><\/div><figcaption class='av-inner-masonry-content site-background'><div class='av-inner-masonry-content-pos'><div class='av-inner-masonry-content-pos-content'><div class='avia-arrow'><\/div><h3 class='av-masonry-entry-title entry-title '  itemprop=\"headline\" >P\u00e9lleas e M\u00e9lisande di Claude Debussy: parodia del 1907<\/h3><span class='av-masonry-date meta-color updated'>8 January 2026<\/span><span class=\"av-masonry-text-sep text-sep-author\">\/<\/span><span class='av-masonry-author meta-color author'><span class='fn'>par Annamaria Martinolli<\/span><\/span><\/div><\/div><\/figcaption><\/figure><\/a><!--end av-masonry entry--><a href=\"https:\/\/stage.annamariamartinolli.it\/fr\/2026\/01\/il-fiore-del-mio-segreto-almodovar-1995-la-letteratura-come-seduzione\/\"  id='av-masonry-1-item-16246' data-av-masonry-item='16246' class='av-masonry-entry isotope-item post-16246 post type-post status-publish format-standard has-post-thumbnail hentry category-cinema-fr tag-cinema-fr tag-la-flor-de-mi-secreto tag-pedro-almodovar all_sort cinema-fr_sort  av-masonry-item-with-image' title=\"flordemisecreto\"   itemscope=\"itemscope\" itemtype=\"https:\/\/schema.org\/CreativeWork\" ><div class='av-inner-masonry-sizer'><\/div><figure class='av-inner-masonry main_color'><div class=\"av-masonry-outerimage-container\"><div class='av-masonry-image-container' style=\"background-image: url(https:\/\/stage.annamariamartinolli.it\/wp-content\/uploads\/2026\/01\/flordemisecreto.jpg);\"  title=\"flordemisecreto\" ><\/div><\/div><figcaption class='av-inner-masonry-content site-background'><div class='av-inner-masonry-content-pos'><div class='av-inner-masonry-content-pos-content'><div class='avia-arrow'><\/div><h3 class='av-masonry-entry-title entry-title '  itemprop=\"headline\" >Il fiore del mio segreto (Almod\u00f3var, 1995): la letteratura come seduzione<\/h3><span class='av-masonry-date meta-color updated'>8 January 2026<\/span><span class=\"av-masonry-text-sep text-sep-author\">\/<\/span><span class='av-masonry-author meta-color author'><span class='fn'>par Annamaria Martinolli<\/span><\/span><\/div><\/div><\/figcaption><\/figure><\/a><!--end av-masonry entry--><a href=\"https:\/\/stage.annamariamartinolli.it\/fr\/2026\/01\/lascia-che-la-carne-istruisca-la-mente-intervista-a-anne-rice-ii\/\"  id='av-masonry-1-item-16214' data-av-masonry-item='16214' class='av-masonry-entry isotope-item post-16214 post type-post status-publish format-standard has-post-thumbnail hentry category-ecriture tag-anne-rice tag-ecriture tag-litterature tag-vampires all_sort ecriture_sort  av-masonry-item-with-image' title=\"annerice\"   itemscope=\"itemscope\" itemtype=\"https:\/\/schema.org\/CreativeWork\" ><div class='av-inner-masonry-sizer'><\/div><figure class='av-inner-masonry main_color'><div class=\"av-masonry-outerimage-container\"><div class='av-masonry-image-container' style=\"background-image: url(https:\/\/stage.annamariamartinolli.it\/wp-content\/uploads\/2026\/01\/annerice.jpg);\"  title=\"annerice\" ><\/div><\/div><figcaption class='av-inner-masonry-content site-background'><div class='av-inner-masonry-content-pos'><div class='av-inner-masonry-content-pos-content'><div class='avia-arrow'><\/div><h3 class='av-masonry-entry-title entry-title '  itemprop=\"headline\" >Lascia che la carne istruisca la mente: Intervista a Anne Rice (II)<\/h3><span class='av-masonry-date meta-color updated'>7 January 2026<\/span><span class=\"av-masonry-text-sep text-sep-author\">\/<\/span><span class='av-masonry-author meta-color author'><span class='fn'>par Annamaria Martinolli<\/span><\/span><\/div><\/div><\/figcaption><\/figure><\/a><!--end av-masonry entry--><a href=\"https:\/\/stage.annamariamartinolli.it\/fr\/2026\/01\/lascia-che-la-carne-istruisca-la-mente-intervista-a-anne-rice-i\/\"  id='av-masonry-1-item-16187' data-av-masonry-item='16187' class='av-masonry-entry isotope-item post-16187 post type-post status-publish format-standard has-post-thumbnail hentry category-ecriture tag-anne-rice tag-ecriture tag-litterature tag-vampires all_sort ecriture_sort  av-masonry-item-with-image' title=\"annerice\"   itemscope=\"itemscope\" itemtype=\"https:\/\/schema.org\/CreativeWork\" ><div class='av-inner-masonry-sizer'><\/div><figure class='av-inner-masonry main_color'><div class=\"av-masonry-outerimage-container\"><div class='av-masonry-image-container' style=\"background-image: url(https:\/\/stage.annamariamartinolli.it\/wp-content\/uploads\/2026\/01\/annerice.jpg);\"  title=\"annerice\" ><\/div><\/div><figcaption class='av-inner-masonry-content site-background'><div class='av-inner-masonry-content-pos'><div class='av-inner-masonry-content-pos-content'><div class='avia-arrow'><\/div><h3 class='av-masonry-entry-title entry-title '  itemprop=\"headline\" >Lascia che la carne istruisca la mente: Intervista a Anne Rice (I)<\/h3><span class='av-masonry-date meta-color updated'>7 January 2026<\/span><span class=\"av-masonry-text-sep text-sep-author\">\/<\/span><span class='av-masonry-author meta-color author'><span class='fn'>par Annamaria Martinolli<\/span><\/span><\/div><\/div><\/figcaption><\/figure><\/a><!--end av-masonry entry--><a href=\"https:\/\/stage.annamariamartinolli.it\/fr\/2026\/01\/i-contorni-della-paura-tracce-di-arte-pittorica-nel-giallo-italiano\/\"  id='av-masonry-1-item-16152' data-av-masonry-item='16152' class='av-masonry-entry isotope-item post-16152 post type-post status-publish format-standard has-post-thumbnail hentry category-art-fr category-cinema-fr tag-cinema-fr tag-dario-argento tag-mario-bava all_sort art-fr_sort  cinema-fr_sort  av-masonry-item-with-image' title=\"ragazza\"   itemscope=\"itemscope\" itemtype=\"https:\/\/schema.org\/CreativeWork\" ><div class='av-inner-masonry-sizer'><\/div><figure class='av-inner-masonry main_color'><div class=\"av-masonry-outerimage-container\"><div class='av-masonry-image-container' style=\"background-image: url(https:\/\/stage.annamariamartinolli.it\/wp-content\/uploads\/2026\/01\/ragazza.jpg);\"  title=\"ragazza\" ><\/div><\/div><figcaption class='av-inner-masonry-content site-background'><div class='av-inner-masonry-content-pos'><div class='av-inner-masonry-content-pos-content'><div class='avia-arrow'><\/div><h3 class='av-masonry-entry-title entry-title '  itemprop=\"headline\" >I contorni della paura. Tracce di arte pittorica nel giallo italiano<\/h3><span class='av-masonry-date meta-color updated'>6 January 2026<\/span><span class=\"av-masonry-text-sep text-sep-author\">\/<\/span><span class='av-masonry-author meta-color author'><span class='fn'>par Annamaria Martinolli<\/span><\/span><\/div><\/div><\/figcaption><\/figure><\/a><!--end av-masonry entry--><a href=\"https:\/\/stage.annamariamartinolli.it\/fr\/2022\/10\/gli-spettri-di-ibsen-ossessionano-ancora\/\"  id='av-masonry-1-item-11351' data-av-masonry-item='11351' class='av-masonry-entry isotope-item post-11351 post type-post status-publish format-standard has-post-thumbnail hentry category-scene tag-henrik-ibsen-fr tag-palcoscenico-fr tag-recensioni-fr tag-spettri-fr all_sort scene_sort  av-masonry-item-with-image' title=\"ghosts1\"   itemscope=\"itemscope\" itemtype=\"https:\/\/schema.org\/CreativeWork\" ><div class='av-inner-masonry-sizer'><\/div><figure class='av-inner-masonry main_color'><div class=\"av-masonry-outerimage-container\"><div class='av-masonry-image-container' style=\"background-image: url(https:\/\/stage.annamariamartinolli.it\/wp-content\/uploads\/2022\/10\/ghosts1.jpg);\"  title=\"ghosts1\" ><\/div><\/div><figcaption class='av-inner-masonry-content site-background'><div class='av-inner-masonry-content-pos'><div class='av-inner-masonry-content-pos-content'><div class='avia-arrow'><\/div><h3 class='av-masonry-entry-title entry-title '  itemprop=\"headline\" >Gli Spettri di Ibsen ossessionano ancora<\/h3><span class='av-masonry-date meta-color updated'>19 October 2022<\/span><span class=\"av-masonry-text-sep text-sep-author\">\/<\/span><span class='av-masonry-author meta-color author'><span class='fn'>par Annamaria Martinolli<\/span><\/span><\/div><\/div><\/figcaption><\/figure><\/a><!--end av-masonry entry--><a href=\"https:\/\/stage.annamariamartinolli.it\/fr\/2022\/10\/relaxed-performance-sei-paesi-per-uno-studio-comparativo\/\"  id='av-masonry-1-item-11334' data-av-masonry-item='11334' class='av-masonry-entry isotope-item post-11334 post type-post status-publish format-standard has-post-thumbnail hentry category-scene tag-bisogni-speciali-fr tag-palcoscenico-fr tag-relaxed-performance-fr tag-studio-comparativo-fr all_sort scene_sort  av-masonry-item-with-image' title=\"relaxedperformance1\"   itemscope=\"itemscope\" itemtype=\"https:\/\/schema.org\/CreativeWork\" ><div class='av-inner-masonry-sizer'><\/div><figure class='av-inner-masonry main_color'><div class=\"av-masonry-outerimage-container\"><div class='av-masonry-image-container' style=\"background-image: url(https:\/\/stage.annamariamartinolli.it\/wp-content\/uploads\/2022\/10\/relaxedperformance1.jpg);\"  title=\"relaxedperformance1\" ><\/div><\/div><figcaption class='av-inner-masonry-content site-background'><div class='av-inner-masonry-content-pos'><div class='av-inner-masonry-content-pos-content'><div class='avia-arrow'><\/div><h3 class='av-masonry-entry-title entry-title '  itemprop=\"headline\" >Relaxed Performance: sei paesi per uno studio comparativo<\/h3><span class='av-masonry-date meta-color updated'>19 October 2022<\/span><span class=\"av-masonry-text-sep text-sep-author\">\/<\/span><span class='av-masonry-author meta-color author'><span class='fn'>par Annamaria Martinolli<\/span><\/span><\/div><\/div><\/figcaption><\/figure><\/a><!--end av-masonry entry--><a href=\"https:\/\/stage.annamariamartinolli.it\/fr\/2022\/10\/personaggi-a-due-o-tre-dimensioni-la-disabilita-nella-letteratura-per-ragazzi\/\"  id='av-masonry-1-item-11248' data-av-masonry-item='11248' class='av-masonry-entry isotope-item post-11248 post type-post status-publish format-standard has-post-thumbnail hentry category-ecriture tag-letteratura-per-ragazzi-fr tag-riflessioni-fr tag-scrittura-fr all_sort ecriture_sort  av-masonry-item-with-image' title=\"albatross\"   itemscope=\"itemscope\" itemtype=\"https:\/\/schema.org\/CreativeWork\" ><div class='av-inner-masonry-sizer'><\/div><figure class='av-inner-masonry main_color'><div class=\"av-masonry-outerimage-container\"><div class='av-masonry-image-container' style=\"background-image: url(https:\/\/stage.annamariamartinolli.it\/wp-content\/uploads\/2022\/10\/albatross.jpg);\"  title=\"albatross\" ><\/div><\/div><figcaption class='av-inner-masonry-content site-background'><div class='av-inner-masonry-content-pos'><div class='av-inner-masonry-content-pos-content'><div class='avia-arrow'><\/div><h3 class='av-masonry-entry-title entry-title '  itemprop=\"headline\" >Personaggi a due o tre dimensioni: la disabilit\u00e0 nella letteratura per ragazzi<\/h3><span class='av-masonry-date meta-color updated'>2 October 2022<\/span><span class=\"av-masonry-text-sep text-sep-author\">\/<\/span><span class='av-masonry-author meta-color author'><span class='fn'>par Annamaria Martinolli<\/span><\/span><\/div><\/div><\/figcaption><\/figure><\/a><!--end av-masonry entry--><a href=\"https:\/\/stage.annamariamartinolli.it\/fr\/2022\/10\/la-fiera-delle-illusioni-nightmare-alley\/\"  id='av-masonry-1-item-11222' data-av-masonry-item='11222' class='av-masonry-entry isotope-item post-11222 post type-post status-publish format-standard has-post-thumbnail hentry category-cinema-fr tag-cinema-fr tag-guillermo-del-toro-fr tag-la-fiera-delle-illusioni-fr tag-nightmare-alley-fr all_sort cinema-fr_sort  av-masonry-item-with-image' title=\"alley1\"   itemscope=\"itemscope\" itemtype=\"https:\/\/schema.org\/CreativeWork\" ><div class='av-inner-masonry-sizer'><\/div><figure class='av-inner-masonry main_color'><div class=\"av-masonry-outerimage-container\"><div class='av-masonry-image-container' style=\"background-image: url(https:\/\/stage.annamariamartinolli.it\/wp-content\/uploads\/2022\/10\/alley1.jpg);\"  title=\"alley1\" ><\/div><\/div><figcaption class='av-inner-masonry-content site-background'><div class='av-inner-masonry-content-pos'><div class='av-inner-masonry-content-pos-content'><div class='avia-arrow'><\/div><h3 class='av-masonry-entry-title entry-title '  itemprop=\"headline\" >La fiera delle illusioni \u2013 Nightmare Alley<\/h3><span class='av-masonry-date meta-color updated'>2 October 2022<\/span><span class=\"av-masonry-text-sep text-sep-author\">\/<\/span><span class='av-masonry-author meta-color author'><span class='fn'>par Annamaria Martinolli<\/span><\/span><\/div><\/div><\/figcaption><\/figure><\/a><!--end av-masonry entry--><a href=\"https:\/\/stage.annamariamartinolli.it\/fr\/2022\/10\/laudiodescrizione-a-teatro-le-avventure-di-alice-nel-sottomondo-a-londra\/\"  id='av-masonry-1-item-11208' data-av-masonry-item='11208' class='av-masonry-entry isotope-item post-11208 post type-post status-publish format-standard has-post-thumbnail hentry category-scene tag-alices-adventures-underground-fr tag-audiodescrizione-teatrale-fr tag-interviste-fr tag-palcoscenico-fr tag-vocaleyes-fr all_sort scene_sort  av-masonry-item-with-image' title=\"alice1\"   itemscope=\"itemscope\" itemtype=\"https:\/\/schema.org\/CreativeWork\" ><div class='av-inner-masonry-sizer'><\/div><figure class='av-inner-masonry main_color'><div class=\"av-masonry-outerimage-container\"><div class='av-masonry-image-container' style=\"background-image: url(https:\/\/stage.annamariamartinolli.it\/wp-content\/uploads\/2022\/10\/alice1-469x705.jpg);\"  title=\"alice1\" ><\/div><\/div><figcaption class='av-inner-masonry-content site-background'><div class='av-inner-masonry-content-pos'><div class='av-inner-masonry-content-pos-content'><div class='avia-arrow'><\/div><h3 class='av-masonry-entry-title entry-title '  itemprop=\"headline\" >L&#8217;audiodescrizione a teatro: le avventure di Alice nel sottomondo a Londra<\/h3><span class='av-masonry-date meta-color updated'>2 October 2022<\/span><span class=\"av-masonry-text-sep text-sep-author\">\/<\/span><span class='av-masonry-author meta-color author'><span class='fn'>par Annamaria Martinolli<\/span><\/span><\/div><\/div><\/figcaption><\/figure><\/a><!--end av-masonry entry--><a href=\"https:\/\/stage.annamariamartinolli.it\/fr\/2022\/01\/willy-wonka-e-la-fabbrica-di-cioccolato-1971-tra-i-film-della-biblioteca-del-congresso\/\"  id='av-masonry-1-item-10619' data-av-masonry-item='10619' class='av-masonry-entry isotope-item post-10619 post type-post status-publish format-standard has-post-thumbnail hentry category-cinema-fr tag-charlie-et-la-chocolaterie tag-cinema-fr all_sort cinema-fr_sort  av-masonry-item-with-image' title=\"genewilder\"   itemscope=\"itemscope\" itemtype=\"https:\/\/schema.org\/CreativeWork\" ><div class='av-inner-masonry-sizer'><\/div><figure class='av-inner-masonry main_color'><div class=\"av-masonry-outerimage-container\"><div class='av-masonry-image-container' style=\"background-image: url(https:\/\/stage.annamariamartinolli.it\/wp-content\/uploads\/2022\/01\/genewilder.jpg);\"  title=\"genewilder\" ><\/div><\/div><figcaption class='av-inner-masonry-content site-background'><div class='av-inner-masonry-content-pos'><div class='av-inner-masonry-content-pos-content'><div class='avia-arrow'><\/div><h3 class='av-masonry-entry-title entry-title '  itemprop=\"headline\" >Willy Wonka e la fabbrica di cioccolato (1971) tra i film della Biblioteca del Congresso<\/h3><span class='av-masonry-date meta-color updated'>18 January 2022<\/span><span class=\"av-masonry-text-sep text-sep-author\">\/<\/span><span class='av-masonry-author meta-color author'><span class='fn'>par Annamaria Martinolli<\/span><\/span><\/div><\/div><\/figcaption><\/figure><\/a><!--end av-masonry entry--><a href=\"https:\/\/stage.annamariamartinolli.it\/fr\/2021\/08\/il-cinema-nei-dipinti-di-edward-hopper-iii-new-york-movie\/\"  id='av-masonry-1-item-10120' data-av-masonry-item='10120' class='av-masonry-entry isotope-item post-10120 post type-post status-publish format-standard has-post-thumbnail hentry category-art-fr tag-arte-fr tag-edward-hopper-fr tag-new-york-movie-fr all_sort art-fr_sort  av-masonry-item-with-image' title=\"new-york\"   itemscope=\"itemscope\" itemtype=\"https:\/\/schema.org\/CreativeWork\" ><div class='av-inner-masonry-sizer'><\/div><figure class='av-inner-masonry main_color'><div class=\"av-masonry-outerimage-container\"><div class='av-masonry-image-container' style=\"background-image: url(https:\/\/stage.annamariamartinolli.it\/wp-content\/uploads\/2021\/08\/new-york.jpg);\"  title=\"new-york\" ><\/div><\/div><figcaption class='av-inner-masonry-content site-background'><div class='av-inner-masonry-content-pos'><div class='av-inner-masonry-content-pos-content'><div class='avia-arrow'><\/div><h3 class='av-masonry-entry-title entry-title '  itemprop=\"headline\" >Il cinema nei dipinti di Edward Hopper (III): New York Movie<\/h3><span class='av-masonry-date meta-color updated'>18 August 2021<\/span><span class=\"av-masonry-text-sep text-sep-author\">\/<\/span><span class='av-masonry-author meta-color author'><span class='fn'>par Annamaria Martinolli<\/span><\/span><\/div><\/div><\/figcaption><\/figure><\/a><!--end av-masonry entry--><a href=\"https:\/\/stage.annamariamartinolli.it\/fr\/2021\/08\/il-cinema-nei-dipinti-di-edward-hopper-ii-the-sheridan-theatre\/\"  id='av-masonry-1-item-10107' data-av-masonry-item='10107' class='av-masonry-entry isotope-item post-10107 post type-post status-publish format-standard has-post-thumbnail hentry category-art-fr tag-arte-fr tag-edward-hopper-fr tag-the-sheridan-theatre-fr all_sort art-fr_sort  av-masonry-item-with-image' title=\"sheridan\"   itemscope=\"itemscope\" itemtype=\"https:\/\/schema.org\/CreativeWork\" ><div class='av-inner-masonry-sizer'><\/div><figure class='av-inner-masonry main_color'><div class=\"av-masonry-outerimage-container\"><div class='av-masonry-image-container' style=\"background-image: url(https:\/\/stage.annamariamartinolli.it\/wp-content\/uploads\/2021\/08\/sheridan.jpg);\"  title=\"sheridan\" ><\/div><\/div><figcaption class='av-inner-masonry-content site-background'><div class='av-inner-masonry-content-pos'><div class='av-inner-masonry-content-pos-content'><div class='avia-arrow'><\/div><h3 class='av-masonry-entry-title entry-title '  itemprop=\"headline\" >Il cinema nei dipinti di Edward Hopper (II): The Sheridan Theatre<\/h3><span class='av-masonry-date meta-color updated'>18 August 2021<\/span><span class=\"av-masonry-text-sep text-sep-author\">\/<\/span><span class='av-masonry-author meta-color author'><span class='fn'>par Annamaria Martinolli<\/span><\/span><\/div><\/div><\/figcaption><\/figure><\/a><!--end av-masonry entry--><a href=\"https:\/\/stage.annamariamartinolli.it\/fr\/2021\/08\/il-cinema-nei-dipinti-di-edward-hopper-i-the-circle-theatre\/\"  id='av-masonry-1-item-10094' data-av-masonry-item='10094' class='av-masonry-entry isotope-item post-10094 post type-post status-publish format-standard has-post-thumbnail hentry category-art-fr tag-arte-fr tag-edward-hopper-fr tag-the-circle-theatre-fr all_sort art-fr_sort  av-masonry-item-with-image' title=\"circle\"   itemscope=\"itemscope\" itemtype=\"https:\/\/schema.org\/CreativeWork\" ><div class='av-inner-masonry-sizer'><\/div><figure class='av-inner-masonry main_color'><div class=\"av-masonry-outerimage-container\"><div class='av-masonry-image-container' style=\"background-image: url(https:\/\/stage.annamariamartinolli.it\/wp-content\/uploads\/2021\/08\/circle.jpg);\"  title=\"circle\" ><\/div><\/div><figcaption class='av-inner-masonry-content site-background'><div class='av-inner-masonry-content-pos'><div class='av-inner-masonry-content-pos-content'><div class='avia-arrow'><\/div><h3 class='av-masonry-entry-title entry-title '  itemprop=\"headline\" >Il cinema nei dipinti di Edward Hopper (I): The Circle Theatre<\/h3><span class='av-masonry-date meta-color updated'>18 August 2021<\/span><span class=\"av-masonry-text-sep text-sep-author\">\/<\/span><span class='av-masonry-author meta-color author'><span class='fn'>par Annamaria Martinolli<\/span><\/span><\/div><\/div><\/figcaption><\/figure><\/a><!--end av-masonry entry--><a href=\"https:\/\/stage.annamariamartinolli.it\/fr\/2021\/08\/la-satira-sociale-in-anniversario-di-harold-pinter\/\"  id='av-masonry-1-item-10054' data-av-masonry-item='10054' class='av-masonry-entry isotope-item post-10054 post type-post status-publish format-standard has-post-thumbnail hentry category-scene tag-anniversario-fr tag-celebration-fr tag-harold-pinter-fr tag-palcoscenico-fr tag-scrittura-fr all_sort scene_sort  av-masonry-item-with-image' title=\"celebration\"   itemscope=\"itemscope\" itemtype=\"https:\/\/schema.org\/CreativeWork\" ><div class='av-inner-masonry-sizer'><\/div><figure class='av-inner-masonry main_color'><div class=\"av-masonry-outerimage-container\"><div class='av-masonry-image-container' style=\"background-image: url(https:\/\/stage.annamariamartinolli.it\/wp-content\/uploads\/2021\/08\/celebration.jpg);\"  title=\"celebration\" ><\/div><\/div><figcaption class='av-inner-masonry-content site-background'><div class='av-inner-masonry-content-pos'><div class='av-inner-masonry-content-pos-content'><div class='avia-arrow'><\/div><h3 class='av-masonry-entry-title entry-title '  itemprop=\"headline\" >La satira sociale in Anniversario di Harold Pinter<\/h3><span class='av-masonry-date meta-color updated'>18 August 2021<\/span><span class=\"av-masonry-text-sep text-sep-author\">\/<\/span><span class='av-masonry-author meta-color author'><span class='fn'>par Annamaria Martinolli<\/span><\/span><\/div><\/div><\/figcaption><\/figure><\/a><!--end av-masonry entry--><a href=\"https:\/\/stage.annamariamartinolli.it\/fr\/2021\/08\/il-teatro-cileno-contemporaneo-e-le-sue-radici-storiche\/\"  id='av-masonry-1-item-10034' data-av-masonry-item='10034' class='av-masonry-entry isotope-item post-10034 post type-post status-publish format-standard has-post-thumbnail hentry category-scene tag-egon-wolff-fr tag-marco-antonio-de-la-parra-fr tag-palcoscenico-fr tag-saggi-fr tag-teatro-cileno-fr all_sort scene_sort  av-masonry-item-with-image' title=\"WolffEgon\"   itemscope=\"itemscope\" itemtype=\"https:\/\/schema.org\/CreativeWork\" ><div class='av-inner-masonry-sizer'><\/div><figure class='av-inner-masonry main_color'><div class=\"av-masonry-outerimage-container\"><div class='av-masonry-image-container' style=\"background-image: url(https:\/\/stage.annamariamartinolli.it\/wp-content\/uploads\/2021\/08\/WolffEgon.jpg);\"  title=\"WolffEgon\" ><\/div><\/div><figcaption class='av-inner-masonry-content site-background'><div class='av-inner-masonry-content-pos'><div class='av-inner-masonry-content-pos-content'><div class='avia-arrow'><\/div><h3 class='av-masonry-entry-title entry-title '  itemprop=\"headline\" >Il teatro cileno contemporaneo e le sue radici storiche<\/h3><span class='av-masonry-date meta-color updated'>18 August 2021<\/span><span class=\"av-masonry-text-sep text-sep-author\">\/<\/span><span class='av-masonry-author meta-color author'><span class='fn'>par Annamaria Martinolli<\/span><\/span><\/div><\/div><\/figcaption><\/figure><\/a><!--end av-masonry entry--><a href=\"https:\/\/stage.annamariamartinolli.it\/fr\/2021\/04\/la-vendetta-femminile-violenza-assurdita-e-umorismo-nero-nei-racconti-brevi-di-roald-dahl-iii\/\"  id='av-masonry-1-item-9025' data-av-masonry-item='9025' class='av-masonry-entry isotope-item post-9025 post type-post status-publish format-standard has-post-thumbnail hentry category-ecriture tag-laffittacamere-fr-2 tag-laffittacamere-fr tag-racconti-brevi-fr tag-roald-dahl-fr tag-scrittura-fr tag-the-landlady-fr all_sort ecriture_sort  av-masonry-item-with-image' title=\"thelandlady1\"   itemscope=\"itemscope\" itemtype=\"https:\/\/schema.org\/CreativeWork\" ><div class='av-inner-masonry-sizer'><\/div><figure class='av-inner-masonry main_color'><div class=\"av-masonry-outerimage-container\"><div class='av-masonry-image-container' style=\"background-image: url(https:\/\/stage.annamariamartinolli.it\/wp-content\/uploads\/2021\/04\/thelandlady1.jpg);\"  title=\"thelandlady1\" ><\/div><\/div><figcaption class='av-inner-masonry-content site-background'><div class='av-inner-masonry-content-pos'><div class='av-inner-masonry-content-pos-content'><div class='avia-arrow'><\/div><h3 class='av-masonry-entry-title entry-title '  itemprop=\"headline\" >La vendetta femminile: violenza, assurdit\u00e0 e umorismo nero nei racconti brevi di Roald Dahl (III)<\/h3><span class='av-masonry-date meta-color updated'>16 April 2021<\/span><span class=\"av-masonry-text-sep text-sep-author\">\/<\/span><span class='av-masonry-author meta-color author'><span class='fn'>par Annamaria Martinolli<\/span><\/span><\/div><\/div><\/figcaption><\/figure><\/a><!--end av-masonry entry--><a href=\"https:\/\/stage.annamariamartinolli.it\/fr\/2021\/04\/la-vendetta-femminile-violenza-assurdita-e-umorismo-nero-nei-racconti-brevi-di-roald-dahl-ii\/\"  id='av-masonry-1-item-9005' data-av-masonry-item='9005' class='av-masonry-entry isotope-item post-9005 post type-post status-publish format-standard has-post-thumbnail hentry category-ecriture tag-lascesa-al-cielo-fr-2 tag-lascesa-al-cielo-fr tag-racconti-brevi-fr tag-roald-dahl-fr tag-scrittura-fr tag-the-way-up-to-heaven-fr all_sort ecriture_sort  av-masonry-item-with-image' title=\"wayuptoheaven1\"   itemscope=\"itemscope\" itemtype=\"https:\/\/schema.org\/CreativeWork\" ><div class='av-inner-masonry-sizer'><\/div><figure class='av-inner-masonry main_color'><div class=\"av-masonry-outerimage-container\"><div class='av-masonry-image-container' style=\"background-image: url(https:\/\/stage.annamariamartinolli.it\/wp-content\/uploads\/2021\/04\/wayuptoheaven1.jpg);\"  title=\"wayuptoheaven1\" ><\/div><\/div><figcaption class='av-inner-masonry-content site-background'><div class='av-inner-masonry-content-pos'><div class='av-inner-masonry-content-pos-content'><div class='avia-arrow'><\/div><h3 class='av-masonry-entry-title entry-title '  itemprop=\"headline\" >La vendetta femminile: violenza, assurdit\u00e0 e umorismo nero nei racconti brevi di Roald Dahl (II)<\/h3><span class='av-masonry-date meta-color updated'>16 April 2021<\/span><span class=\"av-masonry-text-sep text-sep-author\">\/<\/span><span class='av-masonry-author meta-color author'><span class='fn'>par Annamaria Martinolli<\/span><\/span><\/div><\/div><\/figcaption><\/figure><\/a><!--end av-masonry entry--><a href=\"https:\/\/stage.annamariamartinolli.it\/fr\/2021\/04\/la-vendetta-femminile-violenza-assurdita-e-umorismo-nero-nei-racconti-brevi-di-roald-dahl-i\/\"  id='av-masonry-1-item-8954' data-av-masonry-item='8954' class='av-masonry-entry isotope-item post-8954 post type-post status-publish format-standard has-post-thumbnail hentry category-ecriture tag-cosciotto-dagnello-fr-2 tag-cosciotto-dagnello-fr tag-lamb-to-the-slaughter-fr tag-racconti-brevi-fr tag-roald-dahl-fr tag-scrittura-fr all_sort ecriture_sort  av-masonry-item-with-image' title=\"Lamb-to-the-Slaughter\"   itemscope=\"itemscope\" itemtype=\"https:\/\/schema.org\/CreativeWork\" ><div class='av-inner-masonry-sizer'><\/div><figure class='av-inner-masonry main_color'><div class=\"av-masonry-outerimage-container\"><div class='av-masonry-image-container' style=\"background-image: url(https:\/\/stage.annamariamartinolli.it\/wp-content\/uploads\/2021\/04\/Lamb-to-the-Slaughter1-546x705.jpg);\"  title=\"Lamb-to-the-Slaughter\" ><\/div><\/div><figcaption class='av-inner-masonry-content site-background'><div class='av-inner-masonry-content-pos'><div class='av-inner-masonry-content-pos-content'><div class='avia-arrow'><\/div><h3 class='av-masonry-entry-title entry-title '  itemprop=\"headline\" >La vendetta femminile: violenza, assurdit\u00e0 e umorismo nero nei racconti brevi di Roald Dahl (I)<\/h3><span class='av-masonry-date meta-color updated'>15 April 2021<\/span><span class=\"av-masonry-text-sep text-sep-author\">\/<\/span><span class='av-masonry-author meta-color author'><span class='fn'>par Annamaria Martinolli<\/span><\/span><\/div><\/div><\/figcaption><\/figure><\/a><!--end av-masonry entry--><a href=\"https:\/\/stage.annamariamartinolli.it\/fr\/2020\/11\/eva-contro-eva-a-teatro-con-gillian-anderson\/\"  id='av-masonry-1-item-8608' data-av-masonry-item='8608' class='av-masonry-entry isotope-item post-8608 post type-post status-publish format-standard has-post-thumbnail hentry category-scene tag-all-about-eve-fr tag-eva-contro-eva-fr tag-gillian-anderson-fr tag-ivo-van-hove-fr tag-palcoscenico-fr tag-recensioni-fr tag-scrittura-fr all_sort scene_sort  av-masonry-item-with-image' title=\"allabouteve1\"   itemscope=\"itemscope\" itemtype=\"https:\/\/schema.org\/CreativeWork\" ><div class='av-inner-masonry-sizer'><\/div><figure class='av-inner-masonry main_color'><div class=\"av-masonry-outerimage-container\"><div class='av-masonry-image-container' style=\"background-image: url(https:\/\/stage.annamariamartinolli.it\/wp-content\/uploads\/2020\/11\/allabouteve1.jpg);\"  title=\"allabouteve1\" ><\/div><\/div><figcaption class='av-inner-masonry-content site-background'><div class='av-inner-masonry-content-pos'><div class='av-inner-masonry-content-pos-content'><div class='avia-arrow'><\/div><h3 class='av-masonry-entry-title entry-title '  itemprop=\"headline\" >Eva contro Eva a teatro con Gillian Anderson<\/h3><span class='av-masonry-date meta-color updated'>19 November 2020<\/span><span class=\"av-masonry-text-sep text-sep-author\">\/<\/span><span class='av-masonry-author meta-color author'><span class='fn'>par Annamaria Martinolli<\/span><\/span><\/div><\/div><\/figcaption><\/figure><\/a><!--end av-masonry entry--><a href=\"https:\/\/stage.annamariamartinolli.it\/fr\/2020\/10\/intervista-a-antonio-buero-vallejo\/\"  id='av-masonry-1-item-8409' data-av-masonry-item='8409' class='av-masonry-entry isotope-item post-8409 post type-post status-publish format-standard has-post-thumbnail hentry category-ecriture category-scene tag-antonio-buero-vallejo-fr tag-historia-de-una-escalera-fr tag-interviste-fr tag-scrittura-fr all_sort ecriture_sort  scene_sort  av-masonry-item-with-image' title=\"buerovallejo2\"   itemscope=\"itemscope\" itemtype=\"https:\/\/schema.org\/CreativeWork\" ><div class='av-inner-masonry-sizer'><\/div><figure class='av-inner-masonry main_color'><div class=\"av-masonry-outerimage-container\"><div class='av-masonry-image-container' style=\"background-image: url(https:\/\/stage.annamariamartinolli.it\/wp-content\/uploads\/2020\/11\/buerovallejo2-675x705.jpg);\"  title=\"buerovallejo2\" ><\/div><\/div><figcaption class='av-inner-masonry-content site-background'><div class='av-inner-masonry-content-pos'><div class='av-inner-masonry-content-pos-content'><div class='avia-arrow'><\/div><h3 class='av-masonry-entry-title entry-title '  itemprop=\"headline\" >Intervista a Antonio Buero Vallejo<\/h3><span class='av-masonry-date meta-color updated'>16 October 2020<\/span><span class=\"av-masonry-text-sep text-sep-author\">\/<\/span><span class='av-masonry-author meta-color author'><span class='fn'>par Annamaria Martinolli<\/span><\/span><\/div><\/div><\/figcaption><\/figure><\/a><!--end av-masonry entry--><a href=\"https:\/\/stage.annamariamartinolli.it\/fr\/2020\/09\/il-sistema-shakespeare-sotto-accusa\/\"  id='av-masonry-1-item-8392' data-av-masonry-item='8392' class='av-masonry-entry isotope-item post-8392 post type-post status-publish format-standard has-post-thumbnail hentry category-ecriture category-scene tag-antirazzismo-fr tag-palcoscenico-fr tag-saggi-fr tag-scrittura-fr tag-william-shakespeare-fr all_sort ecriture_sort  scene_sort  av-masonry-item-with-image' title=\"shakespeare2\"   itemscope=\"itemscope\" itemtype=\"https:\/\/schema.org\/CreativeWork\" ><div class='av-inner-masonry-sizer'><\/div><figure class='av-inner-masonry main_color'><div class=\"av-masonry-outerimage-container\"><div class='av-masonry-image-container' style=\"background-image: url(https:\/\/stage.annamariamartinolli.it\/wp-content\/uploads\/2020\/11\/shakespeare2.png);\"  title=\"shakespeare2\" ><\/div><\/div><figcaption class='av-inner-masonry-content site-background'><div class='av-inner-masonry-content-pos'><div class='av-inner-masonry-content-pos-content'><div class='avia-arrow'><\/div><h3 class='av-masonry-entry-title entry-title '  itemprop=\"headline\" >Il sistema Shakespeare sotto accusa<\/h3><span class='av-masonry-date meta-color updated'>18 September 2020<\/span><span class=\"av-masonry-text-sep text-sep-author\">\/<\/span><span class='av-masonry-author meta-color author'><span class='fn'>par Annamaria Martinolli<\/span><\/span><\/div><\/div><\/figcaption><\/figure><\/a><!--end av-masonry entry--><a href=\"https:\/\/stage.annamariamartinolli.it\/fr\/2020\/09\/le-rovine-e-le-ombre-di-manderley-rebecca-dal-libro-al-film-ii\/\"  id='av-masonry-1-item-8322' data-av-masonry-item='8322' class='av-masonry-entry isotope-item post-8322 post type-post status-publish format-standard has-post-thumbnail hentry category-cinema-fr tag-alfred-hitchcock-fr tag-cinema-fr tag-daphne-du-maurier-fr tag-rebecca-la-prima-moglie-fr tag-scrittura-fr all_sort cinema-fr_sort  av-masonry-item-with-image' title=\"rebecca2\"   itemscope=\"itemscope\" itemtype=\"https:\/\/schema.org\/CreativeWork\" ><div class='av-inner-masonry-sizer'><\/div><figure class='av-inner-masonry main_color'><div class=\"av-masonry-outerimage-container\"><div class='av-masonry-image-container' style=\"background-image: url(https:\/\/stage.annamariamartinolli.it\/wp-content\/uploads\/2020\/11\/rebecca2-646x705.jpg);\"  title=\"rebecca2\" ><\/div><\/div><figcaption class='av-inner-masonry-content site-background'><div class='av-inner-masonry-content-pos'><div class='av-inner-masonry-content-pos-content'><div class='avia-arrow'><\/div><h3 class='av-masonry-entry-title entry-title '  itemprop=\"headline\" >Le rovine e le ombre di Manderley: Rebecca dal libro al film (II)<\/h3><span class='av-masonry-date meta-color updated'>12 September 2020<\/span><span class=\"av-masonry-text-sep text-sep-author\">\/<\/span><span class='av-masonry-author meta-color author'><span class='fn'>par Annamaria Martinolli<\/span><\/span><\/div><\/div><\/figcaption><\/figure><\/a><!--end av-masonry entry--><a href=\"https:\/\/stage.annamariamartinolli.it\/fr\/2020\/09\/le-rovine-e-le-ombre-di-manderley-rebecca-dal-libro-al-film-i\/\"  id='av-masonry-1-item-8291' data-av-masonry-item='8291' class='av-masonry-entry isotope-item post-8291 post type-post status-publish format-standard has-post-thumbnail hentry category-cinema-fr tag-alfred-hitchcock-fr tag-cinema-fr tag-daphne-du-maurier-fr tag-rebecca-la-prima-moglie-fr tag-scrittura-fr all_sort cinema-fr_sort  av-masonry-item-with-image' title=\"rebecca1\"   itemscope=\"itemscope\" itemtype=\"https:\/\/schema.org\/CreativeWork\" ><div class='av-inner-masonry-sizer'><\/div><figure class='av-inner-masonry main_color'><div class=\"av-masonry-outerimage-container\"><div class='av-masonry-image-container' style=\"background-image: url(https:\/\/stage.annamariamartinolli.it\/wp-content\/uploads\/2020\/11\/rebecca1-666x705.jpg);\"  title=\"rebecca1\" ><\/div><\/div><figcaption class='av-inner-masonry-content site-background'><div class='av-inner-masonry-content-pos'><div class='av-inner-masonry-content-pos-content'><div class='avia-arrow'><\/div><h3 class='av-masonry-entry-title entry-title '  itemprop=\"headline\" >Le rovine e le ombre di Manderley: Rebecca dal libro al film (I)<\/h3><span class='av-masonry-date meta-color updated'>12 September 2020<\/span><span class=\"av-masonry-text-sep text-sep-author\">\/<\/span><span class='av-masonry-author meta-color author'><span class='fn'>par Annamaria Martinolli<\/span><\/span><\/div><\/div><\/figcaption><\/figure><\/a><!--end av-masonry entry--><a href=\"https:\/\/stage.annamariamartinolli.it\/fr\/2020\/01\/lo-scrittore-una-specie-in-via-di-estinzione\/\"  id='av-masonry-1-item-4461' data-av-masonry-item='4461' class='av-masonry-entry isotope-item post-4461 post type-post status-publish format-standard has-post-thumbnail hentry category-ecriture all_sort ecriture_sort  av-masonry-item-with-image' title=\"mar-01-1\"   itemscope=\"itemscope\" itemtype=\"https:\/\/schema.org\/CreativeWork\" ><div class='av-inner-masonry-sizer'><\/div><figure class='av-inner-masonry main_color'><div class=\"av-masonry-outerimage-container\"><div class='av-masonry-image-container' style=\"background-image: url(https:\/\/stage.annamariamartinolli.it\/wp-content\/uploads\/2020\/07\/mar-01-1-705x470.jpg);\"  title=\"mar-01-1\" ><\/div><\/div><figcaption class='av-inner-masonry-content site-background'><div class='av-inner-masonry-content-pos'><div class='av-inner-masonry-content-pos-content'><div class='avia-arrow'><\/div><h3 class='av-masonry-entry-title entry-title '  itemprop=\"headline\" >Lo scrittore: una specie in via di estinzione<\/h3><span class='av-masonry-date meta-color updated'>8 January 2020<\/span><span class=\"av-masonry-text-sep text-sep-author\">\/<\/span><span class='av-masonry-author meta-color author'><span class='fn'>par Enrico Baravoglia<\/span><\/span><\/div><\/div><\/figcaption><\/figure><\/a><!--end av-masonry entry--><a href=\"https:\/\/stage.annamariamartinolli.it\/fr\/2019\/11\/le-favole-a-fumetti-di-bill-willingham\/\"  id='av-masonry-1-item-7451' data-av-masonry-item='7451' class='av-masonry-entry isotope-item post-7451 post type-post status-publish format-standard has-post-thumbnail hentry category-art-fr tag-interviste-fr all_sort art-fr_sort  av-masonry-item-with-image' title=\"mar-03\"   itemscope=\"itemscope\" itemtype=\"https:\/\/schema.org\/CreativeWork\" ><div class='av-inner-masonry-sizer'><\/div><figure class='av-inner-masonry main_color'><div class=\"av-masonry-outerimage-container\"><div class='av-masonry-image-container' style=\"background-image: url(https:\/\/stage.annamariamartinolli.it\/wp-content\/uploads\/2020\/07\/mar-03.jpg);\"  title=\"mar-03\" ><\/div><\/div><figcaption class='av-inner-masonry-content site-background'><div class='av-inner-masonry-content-pos'><div class='av-inner-masonry-content-pos-content'><div class='avia-arrow'><\/div><h3 class='av-masonry-entry-title entry-title '  itemprop=\"headline\" >Le Favole a fumetti di Bill Willingham<\/h3><span class='av-masonry-date meta-color updated'>19 November 2019<\/span><span class=\"av-masonry-text-sep text-sep-author\">\/<\/span><span class='av-masonry-author meta-color author'><span class='fn'>par Enrico Baravoglia<\/span><\/span><\/div><\/div><\/figcaption><\/figure><\/a><!--end av-masonry entry--><\/div><div class='av-masonry-pagination av-masonry-pagination-pagination'><nav class='pagination'><span class='pagination-meta'>Page 1 sur 3<\/span><span class='current'>1<\/span><a href='https:\/\/stage.annamariamartinolli.it\/fr\/wp-json\/wp\/v2\/pages\/4536\/?avia-element-paging=2' class='inactive next_page' >2<\/a><a href='https:\/\/stage.annamariamartinolli.it\/fr\/wp-json\/wp\/v2\/pages\/4536\/?avia-element-paging=3' class='inactive' >3<\/a><\/nav>\n<\/div><\/div><br \/>\n\n<style type=\"text\/css\" data-created_by=\"avia_inline_auto\" id=\"style-css-av-kckhi64g-1f7774047f22a33c4dff8a03c9f0b437\">\n#top .hr.hr-invisible.av-kckhi64g-1f7774047f22a33c4dff8a03c9f0b437{\nheight:40px;\n}\n<\/style>\n<div  class='hr av-kckhi64g-1f7774047f22a33c4dff8a03c9f0b437 hr-invisible  avia-builder-el-6  el_after_av_masonry_entries  avia-builder-el-no-sibling '><span class='hr-inner '><span 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