{"id":4535,"date":"2020-07-13T16:50:01","date_gmt":"2020-07-13T14:50:01","guid":{"rendered":"http:\/\/stage.annamariamartinolli.it\/?page_id=4535"},"modified":"2026-01-09T11:20:29","modified_gmt":"2026-01-09T10:20:29","slug":"journalism","status":"publish","type":"page","link":"https:\/\/stage.annamariamartinolli.it\/en\/catalogue\/journalism\/","title":{"rendered":"Journalism"},"content":{"rendered":"\n<style type=\"text\/css\" data-created_by=\"avia_inline_auto\" id=\"style-css-av-52syb-66ef0bad455e63feba8e5cb05c7cf09b\">\n.avia-section.av-52syb-66ef0bad455e63feba8e5cb05c7cf09b .av-parallax .av-parallax-inner{\nbackground-repeat:no-repeat;\nbackground-image:url(https:\/\/stage.annamariamartinolli.it\/wp-content\/uploads\/2020\/07\/se-sfondo.jpeg);\nbackground-position:50% 0%;\nbackground-attachment:scroll;\n}\n.avia-section.av-52syb-66ef0bad455e63feba8e5cb05c7cf09b .av-section-color-overlay{\nopacity:0.3;\nbackground-color:#000000;\n}\n<\/style>\n<div id='av_section_1'  class='avia-section av-52syb-66ef0bad455e63feba8e5cb05c7cf09b main_color avia-section-large avia-no-shadow  avia-builder-el-0  el_before_av_section  avia-builder-el-first  avia-full-stretch av-parallax-section avia-bg-style-parallax av-section-color-overlay-active container_wrap sidebar_right'  data-section-bg-repeat='stretch'><div class='av-parallax' data-avia-parallax-ratio='0.3' ><div class='av-parallax-inner main_color avia-full-stretch'><\/div><\/div><div class=\"av-section-color-overlay-wrap\"><div class=\"av-section-color-overlay\"><\/div><div class='container av-section-cont-open' ><main  role=\"main\" itemprop=\"mainContentOfPage\"  class='template-page content  av-content-small alpha units'><div class='post-entry post-entry-type-page post-entry-4535'><div class='entry-content-wrapper clearfix'>\n\n<style type=\"text\/css\" data-created_by=\"avia_inline_auto\" id=\"style-css-av-kckmiph8-3ab8b39d2acee8ab10f6e88262da5555\">\n#top .av-special-heading.av-kckmiph8-3ab8b39d2acee8ab10f6e88262da5555{\npadding-bottom:0;\ncolor:#ffffff;\nfont-size:50px;\n}\nbody .av-special-heading.av-kckmiph8-3ab8b39d2acee8ab10f6e88262da5555 .av-special-heading-tag .heading-char{\nfont-size:25px;\n}\n#top #wrap_all .av-special-heading.av-kckmiph8-3ab8b39d2acee8ab10f6e88262da5555 .av-special-heading-tag{\nfont-size:50px;\n}\n.av-special-heading.av-kckmiph8-3ab8b39d2acee8ab10f6e88262da5555 .special-heading-inner-border{\nborder-color:#ffffff;\n}\n.av-special-heading.av-kckmiph8-3ab8b39d2acee8ab10f6e88262da5555 .av-subheading{\nfont-size:15px;\n}\n\n@media only screen and (min-width: 480px) and (max-width: 767px){ \n#top #wrap_all .av-special-heading.av-kckmiph8-3ab8b39d2acee8ab10f6e88262da5555 .av-special-heading-tag{\nfont-size:0.8em;\n}\n}\n\n@media only screen and (max-width: 479px){ \n#top #wrap_all .av-special-heading.av-kckmiph8-3ab8b39d2acee8ab10f6e88262da5555 .av-special-heading-tag{\nfont-size:0.8em;\n}\n}\n<\/style>\n<div  class='av-special-heading av-kckmiph8-3ab8b39d2acee8ab10f6e88262da5555 av-special-heading-h3 custom-color-heading blockquote modern-quote modern-centered  avia-builder-el-1  el_before_av_hr  avia-builder-el-first  av-inherit-size'><h3 class='av-special-heading-tag '  itemprop=\"headline\"  >Translations of journal articles<\/h3><div class='av_custom_color av-subheading av-subheading_below'><p>Culture and entertainment from the foreign press<\/p>\n<\/div><div class=\"special-heading-border\"><div class=\"special-heading-inner-border\"><\/div><\/div><\/div>\n\n<style type=\"text\/css\" data-created_by=\"avia_inline_auto\" id=\"style-css-av-42azj-32c3e39bfe11a4925b0d4785c00d57d9\">\n#top .hr.av-42azj-32c3e39bfe11a4925b0d4785c00d57d9{\nmargin-top:30px;\nmargin-bottom:30px;\n}\n.hr.av-42azj-32c3e39bfe11a4925b0d4785c00d57d9 .hr-inner{\nwidth:20%;\nborder-color:rgba(255,255,255,0.76);\nmax-width:45%;\n}\n.hr.av-42azj-32c3e39bfe11a4925b0d4785c00d57d9 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sidebar_right'  ><div class='container av-section-cont-open' ><div class='template-page content  av-content-small alpha units'><div class='post-entry post-entry-type-page post-entry-4535'><div class='entry-content-wrapper clearfix'>\n<div class='flex_column_table av-2speb-b5d6712b3cb98ca2b888d3c2d5c22a23 sc-av_one_full av-equal-height-column-flextable'>\n<style type=\"text\/css\" data-created_by=\"avia_inline_auto\" id=\"style-css-av-2speb-b5d6712b3cb98ca2b888d3c2d5c22a23\">\n#top .flex_column_table.av-equal-height-column-flextable.av-2speb-b5d6712b3cb98ca2b888d3c2d5c22a23{\nmargin-top:-90px;\nmargin-bottom:-90px;\n}\n.flex_column.av-2speb-b5d6712b3cb98ca2b888d3c2d5c22a23{\nborder-radius:0px 0px 0px 0px;\npadding:30px 30px 30px 30px;\nbackground-color:#ffffff;\n}\n<\/style>\n<div  class='flex_column av-2speb-b5d6712b3cb98ca2b888d3c2d5c22a23 av_one_full  avia-builder-el-4  avia-builder-el-no-sibling  first no_margin flex_column_table_cell av-equal-height-column av-align-top  '     ><p><div id='av-masonry-1' class='av-masonry av-kci9ptyj-3e1784c8d51581c58129f4989dd507c8 noHover av-fixed-size av-1px-gap av-hover-overlay-fade_out av-masonry-animation-active av-masonry-col-4 av-caption-always av-caption-style-overlay av-masonry-entries av-orientation-portrait-large ' data-post_id=\"4535\"><div class='av-masonry-sort main_color av-sort-yes' data-masonry-id='1' ><div class='av-sort-by-term  ' data-av-allowed-sort='[\"art_sort\",\"cinema-en_sort\",\"omnia-en_sort\",\"theatre_sort\",\"writing_sort\"]' ><a href=\"#\" data-filter=\"all_sort\" class=\"all_sort_button active_sort\"><span class=\"inner_sort_button\"><span>All<\/span><small class=\"avia-term-count\"> 28 <\/small><\/span><\/a><span class='text-sep art_sort_sep avia_show_sort'>\/<\/span><a href=\"#\" data-filter=\"art_sort\" class=\"art_sort_button avia_show_sort\" ><span class=\"inner_sort_button\"><span>Art<\/span><small class='avia-term-count'> 5 <\/small><\/span><\/a><span class='text-sep cinema-en_sort_sep avia_show_sort'>\/<\/span><a href=\"#\" data-filter=\"cinema-en_sort\" class=\"cinema-en_sort_button avia_show_sort\" ><span class=\"inner_sort_button\"><span>Cinema<\/span><small class='avia-term-count'> 7 <\/small><\/span><\/a><span class='text-sep news-en_sort_sep avia_hide_sort'>\/<\/span><a href=\"#\" data-filter=\"news-en_sort\" class=\"news-en_sort_button avia_hide_sort\" ><span class=\"inner_sort_button\"><span>News<\/span><small class='avia-term-count'> 0 <\/small><\/span><\/a><span class='text-sep omnia-en_sort_sep avia_hide_sort'>\/<\/span><a href=\"#\" data-filter=\"omnia-en_sort\" class=\"omnia-en_sort_button avia_hide_sort\" ><span class=\"inner_sort_button\"><span>Omnia<\/span><small class='avia-term-count'> 0 <\/small><\/span><\/a><span class='text-sep theatre_sort_sep avia_show_sort'>\/<\/span><a href=\"#\" data-filter=\"theatre_sort\" class=\"theatre_sort_button avia_show_sort\" ><span class=\"inner_sort_button\"><span>Theatre<\/span><small class='avia-term-count'> 9 <\/small><\/span><\/a><span class='text-sep writing_sort_sep avia_show_sort'>\/<\/span><a href=\"#\" data-filter=\"writing_sort\" class=\"writing_sort_button avia_show_sort\" ><span class=\"inner_sort_button\"><span>Writing<\/span><small class='avia-term-count'> 10 <\/small><\/span><\/a><\/div><\/div><div class=\"av-masonry-container isotope av-js-disabled\"><div class='av-masonry-entry isotope-item av-masonry-item-no-image all_sort writing_sort  cinema-en_sort  theatre_sort  art_sort '><\/div><a href=\"https:\/\/stage.annamariamartinolli.it\/en\/2026\/01\/tutto-il-mondo-e-un-disco\/\"  id='av-masonry-1-item-16323' data-av-masonry-item='16323' class='av-masonry-entry isotope-item post-16323 post type-post status-publish format-standard has-post-thumbnail hentry category-writing tag-terry-pratchett tag-writing tag-wyrd-sisters all_sort writing_sort  av-masonry-item-with-image' title=\"sorellanzastregonesca\"   itemscope=\"itemscope\" itemtype=\"https:\/\/schema.org\/CreativeWork\" ><div class='av-inner-masonry-sizer'><\/div><figure class='av-inner-masonry main_color'><div class=\"av-masonry-outerimage-container\"><div class='av-masonry-image-container' style=\"background-image: url(https:\/\/stage.annamariamartinolli.it\/wp-content\/uploads\/2026\/01\/sorellanzastregonesca.jpg);\"  title=\"sorellanzastregonesca\" ><\/div><\/div><figcaption class='av-inner-masonry-content site-background'><div class='av-inner-masonry-content-pos'><div class='av-inner-masonry-content-pos-content'><div class='avia-arrow'><\/div><h3 class='av-masonry-entry-title entry-title '  itemprop=\"headline\" >Tutto il mondo \u00e8 un Disco<\/h3><span class='av-masonry-date meta-color updated'>9 January 2026<\/span><span class=\"av-masonry-text-sep text-sep-author\">\/<\/span><span class='av-masonry-author meta-color author'><span class='fn'>by Annamaria Martinolli<\/span><\/span><\/div><\/div><\/figcaption><\/figure><\/a><!--end av-masonry entry--><a href=\"https:\/\/stage.annamariamartinolli.it\/en\/2026\/01\/prigionieri-delloceano-lifeboat-di-alfred-hitchcock\/\"  id='av-masonry-1-item-16302' data-av-masonry-item='16302' class='av-masonry-entry isotope-item post-16302 post type-post status-publish format-standard has-post-thumbnail hentry category-cinema-en tag-alfred-hitchcock-en tag-cinema-en tag-lifeboat tag-prigionieri-delloceano-2 all_sort cinema-en_sort  av-masonry-item-with-image' title=\"lifeboat\"   itemscope=\"itemscope\" itemtype=\"https:\/\/schema.org\/CreativeWork\" ><div class='av-inner-masonry-sizer'><\/div><figure class='av-inner-masonry main_color'><div class=\"av-masonry-outerimage-container\"><div class='av-masonry-image-container' style=\"background-image: url(https:\/\/stage.annamariamartinolli.it\/wp-content\/uploads\/2026\/01\/lifeboat.jpg);\"  title=\"lifeboat\" ><\/div><\/div><figcaption class='av-inner-masonry-content site-background'><div class='av-inner-masonry-content-pos'><div class='av-inner-masonry-content-pos-content'><div class='avia-arrow'><\/div><h3 class='av-masonry-entry-title entry-title '  itemprop=\"headline\" >Prigionieri dell\u2019oceano (Lifeboat) di Alfred Hitchcock<\/h3><span class='av-masonry-date meta-color updated'>9 January 2026<\/span><span class=\"av-masonry-text-sep text-sep-author\">\/<\/span><span class='av-masonry-author meta-color author'><span class='fn'>by Annamaria Martinolli<\/span><\/span><\/div><\/div><\/figcaption><\/figure><\/a><!--end av-masonry entry--><a href=\"https:\/\/stage.annamariamartinolli.it\/en\/2026\/01\/pelleas-e-melisande-di-claude-debussy-parodia-del-1907\/\"  id='av-masonry-1-item-16266' data-av-masonry-item='16266' class='av-masonry-entry isotope-item post-16266 post type-post status-publish format-standard has-post-thumbnail hentry category-theatre tag-maurice-maeterlinck-en tag-pelleas-e-melisande-en tag-theatre all_sort theatre_sort  av-masonry-item-with-image' title=\"melisande1\"   itemscope=\"itemscope\" itemtype=\"https:\/\/schema.org\/CreativeWork\" ><div class='av-inner-masonry-sizer'><\/div><figure class='av-inner-masonry main_color'><div class=\"av-masonry-outerimage-container\"><div class='av-masonry-image-container' style=\"background-image: url(https:\/\/stage.annamariamartinolli.it\/wp-content\/uploads\/2026\/01\/melisande1.jpg);\"  title=\"melisande1\" ><\/div><\/div><figcaption class='av-inner-masonry-content site-background'><div class='av-inner-masonry-content-pos'><div class='av-inner-masonry-content-pos-content'><div class='avia-arrow'><\/div><h3 class='av-masonry-entry-title entry-title '  itemprop=\"headline\" >P\u00e9lleas e M\u00e9lisande di Claude Debussy: parodia del 1907<\/h3><span class='av-masonry-date meta-color updated'>8 January 2026<\/span><span class=\"av-masonry-text-sep text-sep-author\">\/<\/span><span class='av-masonry-author meta-color author'><span class='fn'>by Annamaria Martinolli<\/span><\/span><\/div><\/div><\/figcaption><\/figure><\/a><!--end av-masonry entry--><a href=\"https:\/\/stage.annamariamartinolli.it\/en\/2026\/01\/il-fiore-del-mio-segreto-almodovar-1995-la-letteratura-come-seduzione\/\"  id='av-masonry-1-item-16245' data-av-masonry-item='16245' class='av-masonry-entry isotope-item post-16245 post type-post status-publish format-standard has-post-thumbnail hentry category-cinema-en tag-cinema-en tag-la-flor-de-mi-secreto tag-pedro-almodovar all_sort cinema-en_sort  av-masonry-item-with-image' title=\"flordemisecreto\"   itemscope=\"itemscope\" itemtype=\"https:\/\/schema.org\/CreativeWork\" ><div class='av-inner-masonry-sizer'><\/div><figure class='av-inner-masonry main_color'><div class=\"av-masonry-outerimage-container\"><div class='av-masonry-image-container' style=\"background-image: url(https:\/\/stage.annamariamartinolli.it\/wp-content\/uploads\/2026\/01\/flordemisecreto.jpg);\"  title=\"flordemisecreto\" ><\/div><\/div><figcaption class='av-inner-masonry-content site-background'><div class='av-inner-masonry-content-pos'><div class='av-inner-masonry-content-pos-content'><div class='avia-arrow'><\/div><h3 class='av-masonry-entry-title entry-title '  itemprop=\"headline\" >Il fiore del mio segreto (Almod\u00f3var, 1995): la letteratura come seduzione<\/h3><span class='av-masonry-date meta-color updated'>8 January 2026<\/span><span class=\"av-masonry-text-sep text-sep-author\">\/<\/span><span class='av-masonry-author meta-color author'><span class='fn'>by Annamaria Martinolli<\/span><\/span><\/div><\/div><\/figcaption><\/figure><\/a><!--end av-masonry entry--><a href=\"https:\/\/stage.annamariamartinolli.it\/en\/2026\/01\/lascia-che-la-carne-istruisca-la-mente-intervista-a-anne-rice-ii\/\"  id='av-masonry-1-item-16213' data-av-masonry-item='16213' class='av-masonry-entry isotope-item post-16213 post type-post status-publish format-standard has-post-thumbnail hentry category-writing tag-anne-rice tag-interviews tag-vampires tag-writing all_sort writing_sort  av-masonry-item-with-image' title=\"annerice\"   itemscope=\"itemscope\" itemtype=\"https:\/\/schema.org\/CreativeWork\" ><div class='av-inner-masonry-sizer'><\/div><figure class='av-inner-masonry main_color'><div class=\"av-masonry-outerimage-container\"><div class='av-masonry-image-container' style=\"background-image: url(https:\/\/stage.annamariamartinolli.it\/wp-content\/uploads\/2026\/01\/annerice.jpg);\"  title=\"annerice\" ><\/div><\/div><figcaption class='av-inner-masonry-content site-background'><div class='av-inner-masonry-content-pos'><div class='av-inner-masonry-content-pos-content'><div class='avia-arrow'><\/div><h3 class='av-masonry-entry-title entry-title '  itemprop=\"headline\" >Lascia che la carne istruisca la mente: Intervista a Anne Rice (II)<\/h3><span class='av-masonry-date meta-color updated'>7 January 2026<\/span><span class=\"av-masonry-text-sep text-sep-author\">\/<\/span><span class='av-masonry-author meta-color author'><span class='fn'>by Annamaria Martinolli<\/span><\/span><\/div><\/div><\/figcaption><\/figure><\/a><!--end av-masonry entry--><a href=\"https:\/\/stage.annamariamartinolli.it\/en\/2026\/01\/lascia-che-la-carne-istruisca-la-mente-intervista-a-anne-rice-i\/\"  id='av-masonry-1-item-16186' data-av-masonry-item='16186' class='av-masonry-entry isotope-item post-16186 post type-post status-publish format-standard has-post-thumbnail hentry category-writing tag-anne-rice tag-interviews tag-vampires tag-writing all_sort writing_sort  av-masonry-item-with-image' title=\"annerice\"   itemscope=\"itemscope\" itemtype=\"https:\/\/schema.org\/CreativeWork\" ><div class='av-inner-masonry-sizer'><\/div><figure class='av-inner-masonry main_color'><div class=\"av-masonry-outerimage-container\"><div class='av-masonry-image-container' style=\"background-image: url(https:\/\/stage.annamariamartinolli.it\/wp-content\/uploads\/2026\/01\/annerice.jpg);\"  title=\"annerice\" ><\/div><\/div><figcaption class='av-inner-masonry-content site-background'><div class='av-inner-masonry-content-pos'><div class='av-inner-masonry-content-pos-content'><div class='avia-arrow'><\/div><h3 class='av-masonry-entry-title entry-title '  itemprop=\"headline\" >Lascia che la carne istruisca la mente: Intervista a Anne Rice (I)<\/h3><span class='av-masonry-date meta-color updated'>7 January 2026<\/span><span class=\"av-masonry-text-sep text-sep-author\">\/<\/span><span class='av-masonry-author meta-color author'><span class='fn'>by Annamaria Martinolli<\/span><\/span><\/div><\/div><\/figcaption><\/figure><\/a><!--end av-masonry entry--><a href=\"https:\/\/stage.annamariamartinolli.it\/en\/2026\/01\/i-contorni-della-paura-tracce-di-arte-pittorica-nel-giallo-italiano\/\"  id='av-masonry-1-item-16151' data-av-masonry-item='16151' class='av-masonry-entry isotope-item post-16151 post type-post status-publish format-standard has-post-thumbnail hentry category-art category-cinema-en tag-cinema-en tag-dario-argento tag-mario-bava all_sort art_sort  cinema-en_sort  av-masonry-item-with-image' title=\"ragazza\"   itemscope=\"itemscope\" itemtype=\"https:\/\/schema.org\/CreativeWork\" ><div class='av-inner-masonry-sizer'><\/div><figure class='av-inner-masonry main_color'><div class=\"av-masonry-outerimage-container\"><div class='av-masonry-image-container' style=\"background-image: url(https:\/\/stage.annamariamartinolli.it\/wp-content\/uploads\/2026\/01\/ragazza.jpg);\"  title=\"ragazza\" ><\/div><\/div><figcaption class='av-inner-masonry-content site-background'><div class='av-inner-masonry-content-pos'><div class='av-inner-masonry-content-pos-content'><div class='avia-arrow'><\/div><h3 class='av-masonry-entry-title entry-title '  itemprop=\"headline\" >I contorni della paura. Tracce di arte pittorica nel giallo italiano<\/h3><span class='av-masonry-date meta-color updated'>6 January 2026<\/span><span class=\"av-masonry-text-sep text-sep-author\">\/<\/span><span class='av-masonry-author meta-color author'><span class='fn'>by Annamaria Martinolli<\/span><\/span><\/div><\/div><\/figcaption><\/figure><\/a><!--end av-masonry entry--><a href=\"https:\/\/stage.annamariamartinolli.it\/en\/2022\/10\/gli-spettri-di-ibsen-ossessionano-ancora\/\"  id='av-masonry-1-item-11350' data-av-masonry-item='11350' class='av-masonry-entry isotope-item post-11350 post type-post status-publish format-standard has-post-thumbnail hentry category-theatre tag-henrik-ibsen-en tag-palcoscenico-en tag-recensioni-en tag-spettri-en all_sort theatre_sort  av-masonry-item-with-image' title=\"ghosts1\"   itemscope=\"itemscope\" itemtype=\"https:\/\/schema.org\/CreativeWork\" ><div class='av-inner-masonry-sizer'><\/div><figure class='av-inner-masonry main_color'><div class=\"av-masonry-outerimage-container\"><div class='av-masonry-image-container' style=\"background-image: url(https:\/\/stage.annamariamartinolli.it\/wp-content\/uploads\/2022\/10\/ghosts1.jpg);\"  title=\"ghosts1\" ><\/div><\/div><figcaption class='av-inner-masonry-content site-background'><div class='av-inner-masonry-content-pos'><div class='av-inner-masonry-content-pos-content'><div class='avia-arrow'><\/div><h3 class='av-masonry-entry-title entry-title '  itemprop=\"headline\" >Gli Spettri di Ibsen ossessionano ancora<\/h3><span class='av-masonry-date meta-color updated'>19 October 2022<\/span><span class=\"av-masonry-text-sep text-sep-author\">\/<\/span><span class='av-masonry-author meta-color author'><span class='fn'>by Annamaria Martinolli<\/span><\/span><\/div><\/div><\/figcaption><\/figure><\/a><!--end av-masonry entry--><a href=\"https:\/\/stage.annamariamartinolli.it\/en\/2022\/10\/relaxed-performance-sei-paesi-per-uno-studio-comparativo\/\"  id='av-masonry-1-item-11333' data-av-masonry-item='11333' class='av-masonry-entry isotope-item post-11333 post type-post status-publish format-standard has-post-thumbnail hentry category-theatre tag-bisogni-speciali-en tag-palcoscenico-en tag-relaxed-performance-en tag-studio-comparativo-en all_sort theatre_sort  av-masonry-item-with-image' title=\"relaxedperformance1\"   itemscope=\"itemscope\" itemtype=\"https:\/\/schema.org\/CreativeWork\" ><div class='av-inner-masonry-sizer'><\/div><figure class='av-inner-masonry main_color'><div class=\"av-masonry-outerimage-container\"><div class='av-masonry-image-container' style=\"background-image: url(https:\/\/stage.annamariamartinolli.it\/wp-content\/uploads\/2022\/10\/relaxedperformance1.jpg);\"  title=\"relaxedperformance1\" ><\/div><\/div><figcaption class='av-inner-masonry-content site-background'><div class='av-inner-masonry-content-pos'><div class='av-inner-masonry-content-pos-content'><div class='avia-arrow'><\/div><h3 class='av-masonry-entry-title entry-title '  itemprop=\"headline\" >Relaxed Performance: sei paesi per uno studio comparativo<\/h3><span class='av-masonry-date meta-color updated'>19 October 2022<\/span><span class=\"av-masonry-text-sep text-sep-author\">\/<\/span><span class='av-masonry-author meta-color author'><span class='fn'>by Annamaria Martinolli<\/span><\/span><\/div><\/div><\/figcaption><\/figure><\/a><!--end av-masonry entry--><a href=\"https:\/\/stage.annamariamartinolli.it\/en\/2022\/10\/personaggi-a-due-o-tre-dimensioni-la-disabilita-nella-letteratura-per-ragazzi\/\"  id='av-masonry-1-item-11247' data-av-masonry-item='11247' class='av-masonry-entry isotope-item post-11247 post type-post status-publish format-standard has-post-thumbnail hentry category-writing tag-letteratura-per-ragazzi-en tag-riflessioni-en tag-scrittura-en all_sort writing_sort  av-masonry-item-with-image' title=\"albatross\"   itemscope=\"itemscope\" itemtype=\"https:\/\/schema.org\/CreativeWork\" ><div class='av-inner-masonry-sizer'><\/div><figure class='av-inner-masonry main_color'><div class=\"av-masonry-outerimage-container\"><div class='av-masonry-image-container' style=\"background-image: url(https:\/\/stage.annamariamartinolli.it\/wp-content\/uploads\/2022\/10\/albatross.jpg);\"  title=\"albatross\" ><\/div><\/div><figcaption class='av-inner-masonry-content site-background'><div class='av-inner-masonry-content-pos'><div class='av-inner-masonry-content-pos-content'><div class='avia-arrow'><\/div><h3 class='av-masonry-entry-title entry-title '  itemprop=\"headline\" >Personaggi a due o tre dimensioni: la disabilit\u00e0 nella letteratura per ragazzi<\/h3><span class='av-masonry-date meta-color updated'>2 October 2022<\/span><span class=\"av-masonry-text-sep text-sep-author\">\/<\/span><span class='av-masonry-author meta-color author'><span class='fn'>by Annamaria Martinolli<\/span><\/span><\/div><\/div><\/figcaption><\/figure><\/a><!--end av-masonry entry--><a href=\"https:\/\/stage.annamariamartinolli.it\/en\/2022\/10\/la-fiera-delle-illusioni-nightmare-alley\/\"  id='av-masonry-1-item-11221' data-av-masonry-item='11221' class='av-masonry-entry isotope-item post-11221 post type-post status-publish format-standard has-post-thumbnail hentry category-cinema-en tag-cinema-en tag-guillermo-del-toro-en tag-la-fiera-delle-illusioni-en tag-nightmare-alley-en all_sort cinema-en_sort  av-masonry-item-with-image' title=\"alley1\"   itemscope=\"itemscope\" itemtype=\"https:\/\/schema.org\/CreativeWork\" ><div class='av-inner-masonry-sizer'><\/div><figure class='av-inner-masonry main_color'><div class=\"av-masonry-outerimage-container\"><div class='av-masonry-image-container' style=\"background-image: url(https:\/\/stage.annamariamartinolli.it\/wp-content\/uploads\/2022\/10\/alley1.jpg);\"  title=\"alley1\" ><\/div><\/div><figcaption class='av-inner-masonry-content site-background'><div class='av-inner-masonry-content-pos'><div class='av-inner-masonry-content-pos-content'><div class='avia-arrow'><\/div><h3 class='av-masonry-entry-title entry-title '  itemprop=\"headline\" >La fiera delle illusioni \u2013 Nightmare Alley<\/h3><span class='av-masonry-date meta-color updated'>2 October 2022<\/span><span class=\"av-masonry-text-sep text-sep-author\">\/<\/span><span class='av-masonry-author meta-color author'><span class='fn'>by Annamaria Martinolli<\/span><\/span><\/div><\/div><\/figcaption><\/figure><\/a><!--end av-masonry entry--><a href=\"https:\/\/stage.annamariamartinolli.it\/en\/2022\/10\/laudiodescrizione-a-teatro-le-avventure-di-alice-nel-sottomondo-a-londra\/\"  id='av-masonry-1-item-11207' data-av-masonry-item='11207' class='av-masonry-entry isotope-item post-11207 post type-post status-publish format-standard has-post-thumbnail hentry category-theatre tag-alices-adventures-underground-en tag-audiodescrizione-teatrale-en tag-interviste-en tag-palcoscenico-en tag-vocaleyes-en all_sort theatre_sort  av-masonry-item-with-image' title=\"alice1\"   itemscope=\"itemscope\" itemtype=\"https:\/\/schema.org\/CreativeWork\" ><div class='av-inner-masonry-sizer'><\/div><figure class='av-inner-masonry main_color'><div class=\"av-masonry-outerimage-container\"><div class='av-masonry-image-container' style=\"background-image: url(https:\/\/stage.annamariamartinolli.it\/wp-content\/uploads\/2022\/10\/alice1-469x705.jpg);\"  title=\"alice1\" ><\/div><\/div><figcaption class='av-inner-masonry-content site-background'><div class='av-inner-masonry-content-pos'><div class='av-inner-masonry-content-pos-content'><div class='avia-arrow'><\/div><h3 class='av-masonry-entry-title entry-title '  itemprop=\"headline\" >L&#8217;audiodescrizione a teatro: le avventure di Alice nel sottomondo a Londra<\/h3><span class='av-masonry-date meta-color updated'>2 October 2022<\/span><span class=\"av-masonry-text-sep text-sep-author\">\/<\/span><span class='av-masonry-author meta-color author'><span class='fn'>by Annamaria Martinolli<\/span><\/span><\/div><\/div><\/figcaption><\/figure><\/a><!--end av-masonry entry--><a href=\"https:\/\/stage.annamariamartinolli.it\/en\/2022\/01\/willy-wonka-e-la-fabbrica-di-cioccolato-1971-tra-i-film-della-biblioteca-del-congresso\/\"  id='av-masonry-1-item-10618' data-av-masonry-item='10618' class='av-masonry-entry isotope-item post-10618 post type-post status-publish format-standard has-post-thumbnail hentry category-cinema-en tag-cinema-en tag-willy-wonka-and-the-chocolate-factory all_sort cinema-en_sort  av-masonry-item-with-image' title=\"genewilder\"   itemscope=\"itemscope\" itemtype=\"https:\/\/schema.org\/CreativeWork\" ><div class='av-inner-masonry-sizer'><\/div><figure class='av-inner-masonry main_color'><div class=\"av-masonry-outerimage-container\"><div class='av-masonry-image-container' style=\"background-image: url(https:\/\/stage.annamariamartinolli.it\/wp-content\/uploads\/2022\/01\/genewilder.jpg);\"  title=\"genewilder\" ><\/div><\/div><figcaption class='av-inner-masonry-content site-background'><div class='av-inner-masonry-content-pos'><div class='av-inner-masonry-content-pos-content'><div class='avia-arrow'><\/div><h3 class='av-masonry-entry-title entry-title '  itemprop=\"headline\" >Willy Wonka e la fabbrica di cioccolato (1971) tra i film della Biblioteca del Congresso<\/h3><span class='av-masonry-date meta-color updated'>18 January 2022<\/span><span class=\"av-masonry-text-sep text-sep-author\">\/<\/span><span class='av-masonry-author meta-color author'><span class='fn'>by Annamaria Martinolli<\/span><\/span><\/div><\/div><\/figcaption><\/figure><\/a><!--end av-masonry entry--><a href=\"https:\/\/stage.annamariamartinolli.it\/en\/2021\/08\/il-cinema-nei-dipinti-di-edward-hopper-iii-new-york-movie\/\"  id='av-masonry-1-item-10119' data-av-masonry-item='10119' class='av-masonry-entry isotope-item post-10119 post type-post status-publish format-standard has-post-thumbnail hentry category-art tag-arte-en tag-edward-hopper-en tag-new-york-movie-en all_sort art_sort  av-masonry-item-with-image' title=\"new-york\"   itemscope=\"itemscope\" itemtype=\"https:\/\/schema.org\/CreativeWork\" ><div class='av-inner-masonry-sizer'><\/div><figure class='av-inner-masonry main_color'><div class=\"av-masonry-outerimage-container\"><div class='av-masonry-image-container' style=\"background-image: url(https:\/\/stage.annamariamartinolli.it\/wp-content\/uploads\/2021\/08\/new-york.jpg);\"  title=\"new-york\" ><\/div><\/div><figcaption class='av-inner-masonry-content site-background'><div class='av-inner-masonry-content-pos'><div class='av-inner-masonry-content-pos-content'><div class='avia-arrow'><\/div><h3 class='av-masonry-entry-title entry-title '  itemprop=\"headline\" >Il cinema nei dipinti di Edward Hopper (III): New York Movie<\/h3><span class='av-masonry-date meta-color updated'>18 August 2021<\/span><span class=\"av-masonry-text-sep text-sep-author\">\/<\/span><span class='av-masonry-author meta-color author'><span class='fn'>by Annamaria Martinolli<\/span><\/span><\/div><\/div><\/figcaption><\/figure><\/a><!--end av-masonry entry--><a href=\"https:\/\/stage.annamariamartinolli.it\/en\/2021\/08\/il-cinema-nei-dipinti-di-edward-hopper-ii-the-sheridan-theatre\/\"  id='av-masonry-1-item-10106' data-av-masonry-item='10106' class='av-masonry-entry isotope-item post-10106 post type-post status-publish format-standard has-post-thumbnail hentry category-art tag-arte-en tag-edward-hopper-en tag-the-sheridan-theatre-en all_sort art_sort  av-masonry-item-with-image' title=\"sheridan\"   itemscope=\"itemscope\" itemtype=\"https:\/\/schema.org\/CreativeWork\" ><div class='av-inner-masonry-sizer'><\/div><figure class='av-inner-masonry main_color'><div class=\"av-masonry-outerimage-container\"><div class='av-masonry-image-container' style=\"background-image: url(https:\/\/stage.annamariamartinolli.it\/wp-content\/uploads\/2021\/08\/sheridan.jpg);\"  title=\"sheridan\" ><\/div><\/div><figcaption class='av-inner-masonry-content site-background'><div class='av-inner-masonry-content-pos'><div class='av-inner-masonry-content-pos-content'><div class='avia-arrow'><\/div><h3 class='av-masonry-entry-title entry-title '  itemprop=\"headline\" >Il cinema nei dipinti di Edward Hopper (II): The Sheridan Theatre<\/h3><span class='av-masonry-date meta-color updated'>18 August 2021<\/span><span class=\"av-masonry-text-sep text-sep-author\">\/<\/span><span class='av-masonry-author meta-color author'><span class='fn'>by Annamaria Martinolli<\/span><\/span><\/div><\/div><\/figcaption><\/figure><\/a><!--end av-masonry entry--><a href=\"https:\/\/stage.annamariamartinolli.it\/en\/2021\/08\/il-cinema-nei-dipinti-di-edward-hopper-i-the-circle-theatre\/\"  id='av-masonry-1-item-10093' data-av-masonry-item='10093' class='av-masonry-entry isotope-item post-10093 post type-post status-publish format-standard has-post-thumbnail hentry category-art tag-arte-en tag-edward-hopper-en tag-the-circle-theatre-en all_sort art_sort  av-masonry-item-with-image' title=\"circle\"   itemscope=\"itemscope\" itemtype=\"https:\/\/schema.org\/CreativeWork\" ><div class='av-inner-masonry-sizer'><\/div><figure class='av-inner-masonry main_color'><div class=\"av-masonry-outerimage-container\"><div class='av-masonry-image-container' style=\"background-image: url(https:\/\/stage.annamariamartinolli.it\/wp-content\/uploads\/2021\/08\/circle.jpg);\"  title=\"circle\" ><\/div><\/div><figcaption class='av-inner-masonry-content site-background'><div class='av-inner-masonry-content-pos'><div class='av-inner-masonry-content-pos-content'><div class='avia-arrow'><\/div><h3 class='av-masonry-entry-title entry-title '  itemprop=\"headline\" >Il cinema nei dipinti di Edward Hopper (I): The Circle Theatre<\/h3><span class='av-masonry-date meta-color updated'>18 August 2021<\/span><span class=\"av-masonry-text-sep text-sep-author\">\/<\/span><span class='av-masonry-author meta-color author'><span class='fn'>by Annamaria Martinolli<\/span><\/span><\/div><\/div><\/figcaption><\/figure><\/a><!--end av-masonry entry--><a href=\"https:\/\/stage.annamariamartinolli.it\/en\/2021\/08\/la-satira-sociale-in-anniversario-di-harold-pinter\/\"  id='av-masonry-1-item-10053' data-av-masonry-item='10053' class='av-masonry-entry isotope-item post-10053 post type-post status-publish format-standard has-post-thumbnail hentry category-theatre tag-anniversario-en tag-celebration-en tag-harold-pinter-en tag-palcoscenico-en tag-scrittura-en all_sort theatre_sort  av-masonry-item-with-image' title=\"celebration\"   itemscope=\"itemscope\" itemtype=\"https:\/\/schema.org\/CreativeWork\" ><div class='av-inner-masonry-sizer'><\/div><figure class='av-inner-masonry main_color'><div class=\"av-masonry-outerimage-container\"><div class='av-masonry-image-container' style=\"background-image: url(https:\/\/stage.annamariamartinolli.it\/wp-content\/uploads\/2021\/08\/celebration.jpg);\"  title=\"celebration\" ><\/div><\/div><figcaption class='av-inner-masonry-content site-background'><div class='av-inner-masonry-content-pos'><div class='av-inner-masonry-content-pos-content'><div class='avia-arrow'><\/div><h3 class='av-masonry-entry-title entry-title '  itemprop=\"headline\" >La satira sociale in Anniversario di Harold Pinter<\/h3><span class='av-masonry-date meta-color updated'>18 August 2021<\/span><span class=\"av-masonry-text-sep text-sep-author\">\/<\/span><span class='av-masonry-author meta-color author'><span class='fn'>by Annamaria Martinolli<\/span><\/span><\/div><\/div><\/figcaption><\/figure><\/a><!--end av-masonry entry--><a href=\"https:\/\/stage.annamariamartinolli.it\/en\/2021\/08\/il-teatro-cileno-contemporaneo-e-le-sue-radici-storiche\/\"  id='av-masonry-1-item-10033' data-av-masonry-item='10033' class='av-masonry-entry isotope-item post-10033 post type-post status-publish format-standard has-post-thumbnail hentry category-theatre tag-egon-wolff-en tag-marco-antonio-de-la-parra-en tag-palcoscenico-en tag-saggi-en tag-teatro-cileno-en all_sort theatre_sort  av-masonry-item-with-image' title=\"WolffEgon\"   itemscope=\"itemscope\" itemtype=\"https:\/\/schema.org\/CreativeWork\" ><div class='av-inner-masonry-sizer'><\/div><figure class='av-inner-masonry main_color'><div class=\"av-masonry-outerimage-container\"><div class='av-masonry-image-container' style=\"background-image: url(https:\/\/stage.annamariamartinolli.it\/wp-content\/uploads\/2021\/08\/WolffEgon.jpg);\"  title=\"WolffEgon\" ><\/div><\/div><figcaption class='av-inner-masonry-content site-background'><div class='av-inner-masonry-content-pos'><div class='av-inner-masonry-content-pos-content'><div class='avia-arrow'><\/div><h3 class='av-masonry-entry-title entry-title '  itemprop=\"headline\" >Il teatro cileno contemporaneo e le sue radici storiche<\/h3><span class='av-masonry-date meta-color updated'>18 August 2021<\/span><span class=\"av-masonry-text-sep text-sep-author\">\/<\/span><span class='av-masonry-author meta-color author'><span class='fn'>by Annamaria Martinolli<\/span><\/span><\/div><\/div><\/figcaption><\/figure><\/a><!--end av-masonry entry--><a href=\"https:\/\/stage.annamariamartinolli.it\/en\/2021\/04\/la-vendetta-femminile-violenza-assurdita-e-umorismo-nero-nei-racconti-brevi-di-roald-dahl-iii\/\"  id='av-masonry-1-item-9024' data-av-masonry-item='9024' class='av-masonry-entry isotope-item post-9024 post type-post status-publish format-standard has-post-thumbnail hentry category-writing tag-laffittacamere-en-2 tag-laffittacamere-en tag-racconti-brevi-en tag-roald-dahl-en tag-scrittura-en tag-the-landlady-en all_sort writing_sort  av-masonry-item-with-image' title=\"thelandlady1\"   itemscope=\"itemscope\" itemtype=\"https:\/\/schema.org\/CreativeWork\" ><div class='av-inner-masonry-sizer'><\/div><figure class='av-inner-masonry main_color'><div class=\"av-masonry-outerimage-container\"><div class='av-masonry-image-container' style=\"background-image: url(https:\/\/stage.annamariamartinolli.it\/wp-content\/uploads\/2021\/04\/thelandlady1.jpg);\"  title=\"thelandlady1\" ><\/div><\/div><figcaption class='av-inner-masonry-content site-background'><div class='av-inner-masonry-content-pos'><div class='av-inner-masonry-content-pos-content'><div class='avia-arrow'><\/div><h3 class='av-masonry-entry-title entry-title '  itemprop=\"headline\" >La vendetta femminile: violenza, assurdit\u00e0 e umorismo nero nei racconti brevi di Roald Dahl (III)<\/h3><span class='av-masonry-date meta-color updated'>16 April 2021<\/span><span class=\"av-masonry-text-sep text-sep-author\">\/<\/span><span class='av-masonry-author meta-color author'><span class='fn'>by Annamaria Martinolli<\/span><\/span><\/div><\/div><\/figcaption><\/figure><\/a><!--end av-masonry entry--><a href=\"https:\/\/stage.annamariamartinolli.it\/en\/2021\/04\/la-vendetta-femminile-violenza-assurdita-e-umorismo-nero-nei-racconti-brevi-di-roald-dahl-ii\/\"  id='av-masonry-1-item-9004' data-av-masonry-item='9004' class='av-masonry-entry isotope-item post-9004 post type-post status-publish format-standard has-post-thumbnail hentry category-writing tag-lascesa-al-cielo-en-2 tag-lascesa-al-cielo-en tag-racconti-brevi-en tag-roald-dahl-en tag-scrittura-en tag-the-way-up-to-heaven-en all_sort writing_sort  av-masonry-item-with-image' title=\"wayuptoheaven1\"   itemscope=\"itemscope\" itemtype=\"https:\/\/schema.org\/CreativeWork\" ><div class='av-inner-masonry-sizer'><\/div><figure class='av-inner-masonry main_color'><div class=\"av-masonry-outerimage-container\"><div class='av-masonry-image-container' style=\"background-image: url(https:\/\/stage.annamariamartinolli.it\/wp-content\/uploads\/2021\/04\/wayuptoheaven1.jpg);\"  title=\"wayuptoheaven1\" ><\/div><\/div><figcaption class='av-inner-masonry-content site-background'><div class='av-inner-masonry-content-pos'><div class='av-inner-masonry-content-pos-content'><div class='avia-arrow'><\/div><h3 class='av-masonry-entry-title entry-title '  itemprop=\"headline\" >La vendetta femminile: violenza, assurdit\u00e0 e umorismo nero nei racconti brevi di Roald Dahl (II)<\/h3><span class='av-masonry-date meta-color updated'>16 April 2021<\/span><span class=\"av-masonry-text-sep text-sep-author\">\/<\/span><span class='av-masonry-author meta-color author'><span class='fn'>by Annamaria Martinolli<\/span><\/span><\/div><\/div><\/figcaption><\/figure><\/a><!--end av-masonry entry--><a href=\"https:\/\/stage.annamariamartinolli.it\/en\/2021\/04\/la-vendetta-femminile-violenza-assurdita-e-umorismo-nero-nei-racconti-brevi-di-roald-dahl-i\/\"  id='av-masonry-1-item-8953' data-av-masonry-item='8953' class='av-masonry-entry isotope-item post-8953 post type-post status-publish format-standard has-post-thumbnail hentry category-writing tag-cosciotto-dagnello-en-2 tag-cosciotto-dagnello-en tag-lamb-to-the-slaughter-en tag-racconti-brevi-en tag-roald-dahl-en tag-scrittura-en all_sort writing_sort  av-masonry-item-with-image' title=\"Lamb-to-the-Slaughter\"   itemscope=\"itemscope\" itemtype=\"https:\/\/schema.org\/CreativeWork\" ><div class='av-inner-masonry-sizer'><\/div><figure class='av-inner-masonry main_color'><div class=\"av-masonry-outerimage-container\"><div class='av-masonry-image-container' style=\"background-image: url(https:\/\/stage.annamariamartinolli.it\/wp-content\/uploads\/2021\/04\/Lamb-to-the-Slaughter1-546x705.jpg);\"  title=\"Lamb-to-the-Slaughter\" ><\/div><\/div><figcaption class='av-inner-masonry-content site-background'><div class='av-inner-masonry-content-pos'><div class='av-inner-masonry-content-pos-content'><div class='avia-arrow'><\/div><h3 class='av-masonry-entry-title entry-title '  itemprop=\"headline\" >La vendetta femminile: violenza, assurdit\u00e0 e umorismo nero nei racconti brevi di Roald Dahl (I)<\/h3><span class='av-masonry-date meta-color updated'>15 April 2021<\/span><span class=\"av-masonry-text-sep text-sep-author\">\/<\/span><span class='av-masonry-author meta-color author'><span class='fn'>by Annamaria Martinolli<\/span><\/span><\/div><\/div><\/figcaption><\/figure><\/a><!--end av-masonry entry--><a href=\"https:\/\/stage.annamariamartinolli.it\/en\/2020\/11\/eva-contro-eva-a-teatro-con-gillian-anderson\/\"  id='av-masonry-1-item-8607' data-av-masonry-item='8607' class='av-masonry-entry isotope-item post-8607 post type-post status-publish format-standard has-post-thumbnail hentry category-theatre tag-all-about-eve-en tag-eva-contro-eva-en tag-gillian-anderson-en tag-ivo-van-hove-en tag-palcoscenico-en tag-recensioni-en tag-scrittura-en all_sort theatre_sort  av-masonry-item-with-image' title=\"allabouteve1\"   itemscope=\"itemscope\" itemtype=\"https:\/\/schema.org\/CreativeWork\" ><div class='av-inner-masonry-sizer'><\/div><figure class='av-inner-masonry main_color'><div class=\"av-masonry-outerimage-container\"><div class='av-masonry-image-container' style=\"background-image: url(https:\/\/stage.annamariamartinolli.it\/wp-content\/uploads\/2020\/11\/allabouteve1.jpg);\"  title=\"allabouteve1\" ><\/div><\/div><figcaption class='av-inner-masonry-content site-background'><div class='av-inner-masonry-content-pos'><div class='av-inner-masonry-content-pos-content'><div class='avia-arrow'><\/div><h3 class='av-masonry-entry-title entry-title '  itemprop=\"headline\" >Eva contro Eva a teatro con Gillian Anderson<\/h3><span class='av-masonry-date meta-color updated'>19 November 2020<\/span><span class=\"av-masonry-text-sep text-sep-author\">\/<\/span><span class='av-masonry-author meta-color author'><span class='fn'>by Annamaria Martinolli<\/span><\/span><\/div><\/div><\/figcaption><\/figure><\/a><!--end av-masonry entry--><a href=\"https:\/\/stage.annamariamartinolli.it\/en\/2020\/10\/intervista-a-antonio-buero-vallejo\/\"  id='av-masonry-1-item-8408' data-av-masonry-item='8408' class='av-masonry-entry isotope-item post-8408 post type-post status-publish format-standard has-post-thumbnail hentry category-theatre category-writing tag-antonio-buero-vallejo-en tag-historia-de-una-escalera-en tag-interviste-en tag-scrittura-en all_sort theatre_sort  writing_sort  av-masonry-item-with-image' title=\"buerovallejo2\"   itemscope=\"itemscope\" itemtype=\"https:\/\/schema.org\/CreativeWork\" ><div class='av-inner-masonry-sizer'><\/div><figure class='av-inner-masonry main_color'><div class=\"av-masonry-outerimage-container\"><div class='av-masonry-image-container' style=\"background-image: url(https:\/\/stage.annamariamartinolli.it\/wp-content\/uploads\/2020\/11\/buerovallejo2-675x705.jpg);\"  title=\"buerovallejo2\" ><\/div><\/div><figcaption class='av-inner-masonry-content site-background'><div class='av-inner-masonry-content-pos'><div class='av-inner-masonry-content-pos-content'><div class='avia-arrow'><\/div><h3 class='av-masonry-entry-title entry-title '  itemprop=\"headline\" >Intervista a Antonio Buero Vallejo<\/h3><span class='av-masonry-date meta-color updated'>16 October 2020<\/span><span class=\"av-masonry-text-sep text-sep-author\">\/<\/span><span class='av-masonry-author meta-color author'><span class='fn'>by Annamaria Martinolli<\/span><\/span><\/div><\/div><\/figcaption><\/figure><\/a><!--end av-masonry entry--><a href=\"https:\/\/stage.annamariamartinolli.it\/en\/2020\/09\/il-sistema-shakespeare-sotto-accusa\/\"  id='av-masonry-1-item-8391' data-av-masonry-item='8391' class='av-masonry-entry isotope-item post-8391 post type-post status-publish format-standard has-post-thumbnail hentry category-theatre category-writing tag-antirazzismo-en tag-palcoscenico-en tag-saggi-en tag-scrittura-en tag-william-shakespeare-en all_sort theatre_sort  writing_sort  av-masonry-item-with-image' title=\"shakespeare2\"   itemscope=\"itemscope\" itemtype=\"https:\/\/schema.org\/CreativeWork\" ><div class='av-inner-masonry-sizer'><\/div><figure class='av-inner-masonry main_color'><div class=\"av-masonry-outerimage-container\"><div class='av-masonry-image-container' style=\"background-image: url(https:\/\/stage.annamariamartinolli.it\/wp-content\/uploads\/2020\/11\/shakespeare2.png);\"  title=\"shakespeare2\" ><\/div><\/div><figcaption class='av-inner-masonry-content site-background'><div class='av-inner-masonry-content-pos'><div class='av-inner-masonry-content-pos-content'><div class='avia-arrow'><\/div><h3 class='av-masonry-entry-title entry-title '  itemprop=\"headline\" >Il sistema Shakespeare sotto accusa<\/h3><span class='av-masonry-date meta-color updated'>18 September 2020<\/span><span class=\"av-masonry-text-sep text-sep-author\">\/<\/span><span class='av-masonry-author meta-color author'><span class='fn'>by Annamaria Martinolli<\/span><\/span><\/div><\/div><\/figcaption><\/figure><\/a><!--end av-masonry entry--><a href=\"https:\/\/stage.annamariamartinolli.it\/en\/2020\/09\/le-rovine-e-le-ombre-di-manderley-rebecca-dal-libro-al-film-ii\/\"  id='av-masonry-1-item-8321' data-av-masonry-item='8321' class='av-masonry-entry isotope-item post-8321 post type-post status-publish format-standard has-post-thumbnail hentry category-cinema-en tag-alfred-hitchcock-en tag-cinema-en tag-daphne-du-maurier-en tag-rebecca-la-prima-moglie-en tag-scrittura-en all_sort cinema-en_sort  av-masonry-item-with-image' title=\"rebecca2\"   itemscope=\"itemscope\" itemtype=\"https:\/\/schema.org\/CreativeWork\" ><div class='av-inner-masonry-sizer'><\/div><figure class='av-inner-masonry main_color'><div class=\"av-masonry-outerimage-container\"><div class='av-masonry-image-container' style=\"background-image: url(https:\/\/stage.annamariamartinolli.it\/wp-content\/uploads\/2020\/11\/rebecca2-646x705.jpg);\"  title=\"rebecca2\" ><\/div><\/div><figcaption class='av-inner-masonry-content site-background'><div class='av-inner-masonry-content-pos'><div class='av-inner-masonry-content-pos-content'><div class='avia-arrow'><\/div><h3 class='av-masonry-entry-title entry-title '  itemprop=\"headline\" >Le rovine e le ombre di Manderley: Rebecca dal libro al film (II)<\/h3><span class='av-masonry-date meta-color updated'>12 September 2020<\/span><span class=\"av-masonry-text-sep text-sep-author\">\/<\/span><span class='av-masonry-author meta-color author'><span class='fn'>by Annamaria Martinolli<\/span><\/span><\/div><\/div><\/figcaption><\/figure><\/a><!--end av-masonry entry--><a href=\"https:\/\/stage.annamariamartinolli.it\/en\/2020\/09\/le-rovine-e-le-ombre-di-manderley-rebecca-dal-libro-al-film-i\/\"  id='av-masonry-1-item-8290' data-av-masonry-item='8290' class='av-masonry-entry isotope-item post-8290 post type-post status-publish format-standard has-post-thumbnail hentry category-cinema-en tag-alfred-hitchcock-en tag-cinema-en tag-daphne-du-maurier-en tag-rebecca-la-prima-moglie-en tag-scrittura-en all_sort cinema-en_sort  av-masonry-item-with-image' title=\"rebecca1\"   itemscope=\"itemscope\" itemtype=\"https:\/\/schema.org\/CreativeWork\" ><div class='av-inner-masonry-sizer'><\/div><figure class='av-inner-masonry main_color'><div class=\"av-masonry-outerimage-container\"><div class='av-masonry-image-container' style=\"background-image: url(https:\/\/stage.annamariamartinolli.it\/wp-content\/uploads\/2020\/11\/rebecca1-666x705.jpg);\"  title=\"rebecca1\" ><\/div><\/div><figcaption class='av-inner-masonry-content site-background'><div class='av-inner-masonry-content-pos'><div class='av-inner-masonry-content-pos-content'><div class='avia-arrow'><\/div><h3 class='av-masonry-entry-title entry-title '  itemprop=\"headline\" >Le rovine e le ombre di Manderley: Rebecca dal libro al film (I)<\/h3><span class='av-masonry-date meta-color updated'>12 September 2020<\/span><span class=\"av-masonry-text-sep text-sep-author\">\/<\/span><span class='av-masonry-author meta-color author'><span class='fn'>by Annamaria Martinolli<\/span><\/span><\/div><\/div><\/figcaption><\/figure><\/a><!--end av-masonry entry--><a href=\"https:\/\/stage.annamariamartinolli.it\/en\/2020\/01\/lo-scrittore-una-specie-in-via-di-estinzione\/\"  id='av-masonry-1-item-4413' data-av-masonry-item='4413' class='av-masonry-entry isotope-item post-4413 post type-post status-publish format-standard has-post-thumbnail hentry category-writing all_sort writing_sort  av-masonry-item-with-image' title=\"mar-01-1\"   itemscope=\"itemscope\" itemtype=\"https:\/\/schema.org\/CreativeWork\" ><div class='av-inner-masonry-sizer'><\/div><figure class='av-inner-masonry main_color'><div class=\"av-masonry-outerimage-container\"><div class='av-masonry-image-container' style=\"background-image: url(https:\/\/stage.annamariamartinolli.it\/wp-content\/uploads\/2020\/07\/mar-01-1-705x470.jpg);\"  title=\"mar-01-1\" ><\/div><\/div><figcaption class='av-inner-masonry-content site-background'><div class='av-inner-masonry-content-pos'><div class='av-inner-masonry-content-pos-content'><div class='avia-arrow'><\/div><h3 class='av-masonry-entry-title entry-title '  itemprop=\"headline\" >Lo scrittore: una specie in via di estinzione<\/h3><span class='av-masonry-date meta-color updated'>8 January 2020<\/span><span class=\"av-masonry-text-sep text-sep-author\">\/<\/span><span class='av-masonry-author meta-color author'><span class='fn'>by Enrico Baravoglia<\/span><\/span><\/div><\/div><\/figcaption><\/figure><\/a><!--end av-masonry entry--><a href=\"https:\/\/stage.annamariamartinolli.it\/en\/2019\/11\/le-favole-a-fumetti-di-bill-willingham\/\"  id='av-masonry-1-item-7446' data-av-masonry-item='7446' class='av-masonry-entry isotope-item post-7446 post type-post status-publish format-standard has-post-thumbnail hentry category-art tag-interviste-en all_sort art_sort  av-masonry-item-with-image' title=\"mar-03\"   itemscope=\"itemscope\" itemtype=\"https:\/\/schema.org\/CreativeWork\" ><div class='av-inner-masonry-sizer'><\/div><figure class='av-inner-masonry main_color'><div class=\"av-masonry-outerimage-container\"><div class='av-masonry-image-container' style=\"background-image: url(https:\/\/stage.annamariamartinolli.it\/wp-content\/uploads\/2020\/07\/mar-03.jpg);\"  title=\"mar-03\" ><\/div><\/div><figcaption class='av-inner-masonry-content site-background'><div class='av-inner-masonry-content-pos'><div class='av-inner-masonry-content-pos-content'><div class='avia-arrow'><\/div><h3 class='av-masonry-entry-title entry-title '  itemprop=\"headline\" >Le Favole a fumetti di Bill Willingham<\/h3><span class='av-masonry-date meta-color updated'>19 November 2019<\/span><span class=\"av-masonry-text-sep text-sep-author\">\/<\/span><span class='av-masonry-author meta-color author'><span class='fn'>by Enrico Baravoglia<\/span><\/span><\/div><\/div><\/figcaption><\/figure><\/a><!--end av-masonry entry--><\/div><div class='av-masonry-pagination av-masonry-pagination-pagination'><nav class='pagination'><span class='pagination-meta'>Page 1 of 3<\/span><span class='current'>1<\/span><a href='https:\/\/stage.annamariamartinolli.it\/en\/wp-json\/wp\/v2\/pages\/4535\/?avia-element-paging=2' class='inactive next_page' >2<\/a><a href='https:\/\/stage.annamariamartinolli.it\/en\/wp-json\/wp\/v2\/pages\/4535\/?avia-element-paging=3' class='inactive' >3<\/a><\/nav>\n<\/div><\/div><br \/>\n\n<style type=\"text\/css\" data-created_by=\"avia_inline_auto\" id=\"style-css-av-kckhi64g-1f7774047f22a33c4dff8a03c9f0b437\">\n#top .hr.hr-invisible.av-kckhi64g-1f7774047f22a33c4dff8a03c9f0b437{\nheight:40px;\n}\n<\/style>\n<div  class='hr av-kckhi64g-1f7774047f22a33c4dff8a03c9f0b437 hr-invisible  avia-builder-el-6  el_after_av_masonry_entries  avia-builder-el-no-sibling '><span class='hr-inner '><span 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